When the Iberian Peninsula breaks free of Europe and begins to drift across the North Atlantic, five people are drawn together on the newly formed island-first by surreal events and then by love. "A splendidly imagined epic voyage...a fabulous fable" (Kirkus Reviews). Translated by Giovanni Pontiero.
José Saramago was born on November 16, 1922. He spent most of his childhood on his parent's farm, except while attending school in Lisbon. Before devoting himself exclusively to writing novels in 1976, he worked as a draftsman, a publisher's reader, an editor, translator, and political commentator for Diario de Lisboa. He is indisputably Portugal's best-known literary figure and his books have been translated into more than 25 languages. Although he wrote his first novel in 1947, he waited some 35 years before winning critical acclaim for work such as the Memorial do Convento. His works include The Year of the Death of Ricardo Reis, The Stone Raft, Baltasar and Blimunda, The History of the Siege of Lisbon, The Gospel According to Jesus Christ, and Blindness. At age 75, he was awarded the Nobel Prize for Literature in 1998 for his work in which "parables sustained by imagination, compassion and irony, continually enables us to apprehend an elusory reality." He died from a prolonged illness that caused multiple organ failure on June 18, 2010 at the age of 87.
In this charming Portuguese political fable by the author of The Gospel According to Jesus Christ, pandemonium occurs when the Iberian peninsula breaks loose (literally) and goes charging off into the North Atlantic. Bureaucrats fret because the errant land mass is speeding straight toward the Azores; the Government of National Salvation plots to avoid impending disaster, but the former peninsula has its own agenda. Meanwhile, five Iberian residents separately experience assorted phenomena they believe are connected to the rupture. (One makes an ineradicable line in the earth, another becomes a human seismograph, another unravels a neverending sock, etc.) Through a series of coincidences and the efforts of a mute and nameless dog, the five find each other and begin a gypsy-like peregrination to make sense of the peninsula's fractious behavior. At times an unexpected darkness intrudes on these proceedings-Saramago heckles his characters occasionally for no discernible reason-and the conclusion seems abrupt, its somber notes ringing false. However, the political reaction to this geological mishap is marvelously amusing-and greatly enhanced by the author's nimble prose and random metaphysical touches.
Reader Reviews for The Stone Raft
technodiabla
January 25, 2011
The concept for this book is so exciting and original that I had really high expectations. But, somehow it just didn't deliver. The first half was really slow (until all 5 people are in the picture) and the last half was only somewhat more compelling. The particular narrative style Saramago uses-- where the narrator takes numerous asides to speak directly to the reader-- was really irritating and overused. There are also many long philosophi
technodiabla
January 25, 2011
The concept for this book is so exciting and original that I had really high expectations. But, somehow it just didn't deliver. The first half was really slow (until all 5 people are in the picture) and the last half was only somewhat more compelling. The particular narrative style Saramago uses-- where the narrator takes numerous asides to speak directly to the reader-- was really irritating and overused. There are also many long philosophi
Find at your local library from our friends at WorldCat
When the Iberian Peninsula breaks free of Europe and begins to drift across the North Atlantic, five people are drawn together on the newly formed island-first by surreal events and then by love. "A splendidly imagined epic voyage...a fabulous fable" (Kirkus Reviews). Translated by Giovanni Pontiero.
José Saramago was born on November 16, 1922. He spent most of his childhood on his parent's farm, except while attending school in Lisbon. Before devoting himself exclusively to writing novels in 1976, he worked as a draftsman, a publisher's reader, an editor, translator, and political commentator for Diario de Lisboa. He is indisputably Portugal's best-known literary figure and his books have been translated into more than 25 languages. Although he wrote his first novel in 1947, he waited some 35 years before winning critical acclaim for work such as the Memorial do Convento. His works include The Year of the Death of Ricardo Reis, The Stone Raft, Baltasar and Blimunda, The History of the Siege of Lisbon, The Gospel According to Jesus Christ, and Blindness. At age 75, he was awarded the Nobel Prize for Literature in 1998 for his work in which "parables sustained by imagination, compassion and irony, continually enables us to apprehend an elusory reality." He died from a prolonged illness that caused multiple organ failure on June 18, 2010 at the age of 87.
Reviews
Reader Reviews for 'The Stone Raft'
technodiabla
January 25, 2011
The concept for this book is so exciting and original that I had really high expectations. But, somehow it just didn't deliver. The first half was really slow (until all 5 people are in the picture) and the last half was only somewhat more compelling. The particular narrative style Saramago uses-- where the narrator takes numerous asides to speak directly to the reader-- was really irritating and overused. There are also many long philosophi
technodiabla
January 25, 2011
The concept for this book is so exciting and original that I had really high expectations. But, somehow it just didn't deliver. The first half was really slow (until all 5 people are in the picture) and the last half was only somewhat more compelling. The particular narrative style Saramago uses-- where the narrator takes numerous asides to speak directly to the reader-- was really irritating and overused. There are also many long philosophi
Professional Reviews
In this charming Portuguese political fable by the author of The Gospel According to Jesus Christ, pandemonium occurs when the Iberian peninsula breaks loose (literally) and goes charging off into the North Atlantic. Bureaucrats fret because the errant land mass is speeding straight toward the Azores; the Government of National Salvation plots to avoid impending disaster, but the former peninsula has its own agenda. Meanwhile, five Iberian residents separately experience assorted phenomena they believe are connected to the rupture. (One makes an ineradicable line in the earth, another becomes a human seismograph, another unravels a neverending sock, etc.) Through a series of coincidences and the efforts of a mute and nameless dog, the five find each other and begin a gypsy-like peregrination to make sense of the peninsula's fractious behavior. At times an unexpected darkness intrudes on these proceedings-Saramago heckles his characters occasionally for no discernible reason-and the conclusion seems abrupt, its somber notes ringing false. However, the political reaction to this geological mishap is marvelously amusing-and greatly enhanced by the author's nimble prose and random metaphysical touches.
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