Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays. Discusses various films, including the Alien quartet, Christopher Nolan's Memento , Stanley Kubrick's 2001: A Space Odyssey and A Clockwork Orange , Nicolas Roeg's The Man Who Fell to Earth and Derek Jarman's The Garden . Draws on a wide range of authors, both ancient and modern, religious and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to André Bazin and Leo Bersani. Uses cinema to think about the church as an ecclesiacinema, and films to think about sexual desire as erotic dispossession, as a way into the life of God. Written from a radically orthodox Christian perspective, at once both Catholic and critical.
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| List of Illustrations | |
| In The Lobby | |
| Introduction | |
| Desiring Bodies | |
| Cavities | |
| Seeing In The Dark | |
| Visionary Screens | |
| Copulations | |
| Alien Sex | |
| God's Sex | |
| Sex Slaves | |
| Want Of Family | |
| Consolations | |
| The Man Who Fell To Earth | |
| The Garden | |
| Bibliography | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |
| Find at your local library from our friends at WorldCat | Find Libraries |
Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays. Dis ...
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Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays. Discusses various films, including the Alien quartet, Christopher Nolan's Memento , Stanley Kubrick's 2001: A Space Odyssey and A Clockwork Orange , Nicolas Roeg's The Man Who Fell to Earth and Derek Jarman's The Garden . Draws on a wide range of authors, both ancient and modern, religious and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to André Bazin and Leo Bersani. Uses cinema to think about the church as an ecclesiacinema, and films to think about sexual desire as erotic dispossession, as a way into the life of God. Written from a radically orthodox Christian perspective, at once both Catholic and critical.
| List of Illustrations | |
| In The Lobby | |
| Introduction | |
| Desiring Bodies | |
| Cavities | |
| Seeing In The Dark | |
| Visionary Screens | |
| Copulations | |
| Alien Sex | |
| God's Sex | |
| Sex Slaves | |
| Want Of Family | |
| Consolations | |
| The Man Who Fell To Earth | |
| The Garden | |
| Bibliography | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |
| Condition | Source | Price | |
|---|---|---|---|
|
New (235 available)
Ships Separately |
Ships separately from Better World Books suppliers | $170.07 USD | Add To Cart |
|
eBook Obtain a digital book from our friends at eBooks.com.
|
Digital edition from eBooks.com | {{ebooksDotComPrice}} {{ebooksDotComCurrency}} | eBooks.com |
|
Audio Book Obtain a digital book from our friends at AudiobooksNow.com.
|
|
{{audioBooksNowPrice}} {{audioBooksNowCurrency}} | Audiobook |
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