Theodore Dreiser's Uncollected Magazine ArtiBTCes, 1897-1902
Hardcover
Theodore Dreiser's Uncollected Magazine ArtiBTCes, 1897-1902
Hardcover
- All Available Copies
- Overview
- About the Author
- Awards
- Professional Reviews
- Reader Reviews
- Table Of Contents
- Borrow
Overview
This edition of Dreiser's work consists of thirty-four uncollected magazine articles published between 1897 and 1902. In this period, before wrting 'Sister Carrie', Dreiser contributed 111 freelance articles to various popular magazines, such as 'Success', 'Truth', 'Metropolitan', 'Cosmopolitan', 'Ainslee's', 'Demorest's', 'Munseys', 'Puritan', 'New Voice', 'Great Round World', 'Harper's Weekly', and 'New York Times Illustrated Magazine'. A great majority of these magazine articles have been collected in two previous editions;, including 'Selected Magazine Articles of Theodore Dreiser: Life and Art in the American 1890s', published y Fairleigh Dickinson University Press. Yoshinobu Hakutani is Distinguished Professor of English at Kent State University.
Theodore Dreiser
Theodore Dreiser was born in Terre Haute, Indiana, the twelfth of 13 children. His childhood was spent in poverty, or near poverty, and his family moved often. In spite of the constant relocations, Dreiser managed to attend school, and, with the financial aid of a sympathetic high school teacher, he was able to attend Indiana University. However, the need for income forced him to leave college after one year and take a job as a reporter in Chicago. Over the next 10 years, Dreiser held a variety of newspaper jobs in Pittsburgh, St. Louis, and finally New York. He published his first novel, Sister Carrie in 1900, but because the publisher's wife considered its language and subject matter too "strong", it was barely advertised and went almost unnoticed. Today it is regarded as one of Dreiser's best works. It is the story of Carrie, a young woman from the Midwest, who manages to rise to fame and fortune on the strength of her personality and ambition, through her acting talent, and via her relationships with various men. Much of the book's controversy came from the fact that it portrayed a young woman who engages in sexual relationships without suffering the poverty and social downfall that were supposed to be the "punishment" for such "sin." Dreiser's reputation has increased instrumentally over the years. His best book and first popular success, An American Tragedy (1925), is now considered a major American novel, and his other works are widely taught in college courses. Like Sister Carrie, An American Tragedy also tells the story of an ambitious young person from the Midwest. In this case, however, the novel's hero is a man who is brought to ruin because of a horrible action he commits - he murders a poor young woman whom he has gotten pregnant, but whom he wants to discard in favor of a wealthy young woman who represents luxury and social advancement. As Dreiser portrays him, the young man is a victim of an economic system that torments so many with their lack of privilege and power and temps them to unspeakable acts. Dreiser is also known for the Coperwood Trilogy - The Financier (1912), The Titan (1914), and the posthumously published The Store (1947). Collectively the three books paint the portrait of a brilliant and ruthless "financial buccaneer." Dreiser is associated with Naturalism, a writing style that also includes French novelist Emile Zola. Naturalism seeks to portray all the social forces that shape the lives of the characters, usually conveying a sense of the inevitable doom that these forces must eventually bring about. Despite this apparent pessimism, Dreiser had faith in socialism as a solution to what he saw as the economic injustices of American capitalism. His socialist views were reinforced by a trip to the newly socialist Soviet Union, and in fact, Dreiser is still widely read in that country. There, as here, he is seen as a powerful chronicler of the injustices and ambitions of his time. Dreiser officially joined the Communist Party shortly before his death in 1945.
Henry Thoreau
In September 1842, Nathaniel Hawthorne noted this social encounter in his journal: "Mr. Thorow dined with us yesterday. He is a singular character---a young man with much of wild original nature still remaining in him; and so far as he is sophisticated, it is in a way and method of his own. He is as ugly as sin, long-nosed, queer-mouthed, and with uncouth and somewhat rustic, although courteous manners, corresponding very well with such an exterior. But his ugliness is of an honest and agreeable fashion, and becomes him much better than beauty. On the whole, I find him a healthy and wholesome man to know." Most responses to Thoreau are as ambiguously respectful as was Hawthorne's. Thoreau was neither an easy person to like nor an easy writer to read. Thoreau described himself as a mystic, a Transcendentalist, and a natural philosopher. He is a writer of essays about nature---not of facts about it but of his ideals and emotions in its presence. His wish to understand nature led him to Walden Pond, where he lived from 1845 to 1847 in a cabin that he built. Though he was an educated man with a Harvard degree, fluent in ancient and modern German, he preferred to study nature by living "a life of simplicity, independence, magnanimity, and trust." Knowing this, we should beware of misreading the book that best reflected this great experience in Thoreau's life: Walden; or, Life in the Woods (1854). It is not a handbook of the simple life. Though there are elements in the book of a "whole-earth catalogue" mentality, to focus on the radical "economic" aspects of Thoreau's work is to miss much in the book. Nor is it an autobiography. The right way to read Walden is as a "transcendental" narrative prose poem, whose hero is a man named Henry, a modern Odysseus in search of a "true America." Thoreau left Walden Pond on September 6, 1846, exactly two years, two months, and two days after he had settled there. As he explained in the pages of Walden: "I left the woods for as good a reason as I went to live there. Perhaps it seemed to me that I had several more lives to live, and could not spare any more time for that one." Growth, change, and development were essential to his character. One should not overlook the significance of his selecting July 4 as the day for taking possession of his residence at Walden Pond, a day that celebrates the establishment of a new government whose highest ideal is individual freedom. In terms of Thoreau's redefinition of the nation-idea, "the only true America" is that place where one may grow wild according to one's nature, where one may "enjoy the land, but own it not." Thoreau believed that each person should live according to individual conscience, willing to oppose the majority if necessary. An early proponent of nonviolent resistance, he was jailed briefly for refusing to pay his poll tax to support the Mexican War and the slave system that had promoted that war. His essay "On Civil Disobedience" (1849), which came from this period of passive resistance, was acknowledged by Mahatma Gandhi (who read it in a South African jail) as the basis for his campaign to free India. Martin Luther King, Jr. later attributed to Thoreau and Gandhi the inspiration for his leadership in the civil rights movement in the United States. Thoreau contracted tuberculosis in 1835 and suffered from it sporadically afterwards. His health declined over three years with brief periods of remission, until he eventually became bedridden. Recognizing the terminal nature of his disease, Thoreau spent his last years revising and editing his unpublished works, particularly The Maine Woods and Excursions, and petitioning publishers to print revised editions of A Week and Walden. He died on May 6, 1862 at age 44.
Categories
All Available Copies Find out more about shipping times from these sellers.
| Condition | Price | |||
|---|---|---|---|---|
|
eBook Obtain a digital book from our friends at eBooks.com.
|
{{ebooksDotComPrice}} {{ebooksDotComCurrency}} | eBooks.com | Digital edition from eBooks.com | |
|
Audio Book Obtain a digital book from our friends at AudiobooksNow.com.
|
{{audioBooksNowPrice}} {{audioBooksNowCurrency}} | AudiobooksNow.com | Digital edition from AudiobooksNow.com |
| Find at your local library from our friends at WorldCat | Find Libraries |
Overview
This edition of Dreiser's work consists of thirty-four uncollected magazine articles published between 1897 and 1902. In this period, before wrting 'Sister Carrie', Dreiser contributed 111 freelance articles to various popular magazines, such as 'Suc ...
Read full overview
Overview
This edition of Dreiser's work consists of thirty-four uncollected magazine articles published between 1897 and 1902. In this period, before wrting 'Sister Carrie', Dreiser contributed 111 freelance articles to various popular magazines, such as 'Success', 'Truth', 'Metropolitan', 'Cosmopolitan', 'Ainslee's', 'Demorest's', 'Munseys', 'Puritan', 'New Voice', 'Great Round World', 'Harper's Weekly', and 'New York Times Illustrated Magazine'. A great majority of these magazine articles have been collected in two previous editions;, including 'Selected Magazine Articles of Theodore Dreiser: Life and Art in the American 1890s', published y Fairleigh Dickinson University Press. Yoshinobu Hakutani is Distinguished Professor of English at Kent State University.
Product Details
About the Author
Theodore Dreiser
Theodore Dreiser was born in Terre Haute, Indiana, the twelfth of 13 children. His childhood was spent in poverty, or near poverty, and his family moved often. In spite of the constant relocations, Dreiser managed to attend school, and, with the financial aid of a sympathetic high school teacher, he was able to attend Indiana University. However, the need for income forced him to leave college after one year and take a job as a reporter in Chicago. Over the next 10 years, Dreiser held a variety of newspaper jobs in Pittsburgh, St. Louis, and finally New York. He published his first novel, Sister Carrie in 1900, but because the publisher's wife considered its language and subject matter too "strong", it was barely advertised and went almost unnoticed. Today it is regarded as one of Dreiser's best works. It is the story of Carrie, a young woman from the Midwest, who manages to rise to fame and fortune on the strength of her personality and ambition, through her acting talent, and via her relationships with various men. Much of the book's controversy came from the fact that it portrayed a young woman who engages in sexual relationships without suffering the poverty and social downfall that were supposed to be the "punishment" for such "sin." Dreiser's reputation has increased instrumentally over the years. His best book and first popular success, An American Tragedy (1925), is now considered a major American novel, and his other works are widely taught in college courses. Like Sister Carrie, An American Tragedy also tells the story of an ambitious young person from the Midwest. In this case, however, the novel's hero is a man who is brought to ruin because of a horrible action he commits - he murders a poor young woman whom he has gotten pregnant, but whom he wants to discard in favor of a wealthy young woman who represents luxury and social advancement. As Dreiser portrays him, the young man is a victim of an economic system that torments so many with their lack of privilege and power and temps them to unspeakable acts. Dreiser is also known for the Coperwood Trilogy - The Financier (1912), The Titan (1914), and the posthumously published The Store (1947). Collectively the three books paint the portrait of a brilliant and ruthless "financial buccaneer." Dreiser is associated with Naturalism, a writing style that also includes French novelist Emile Zola. Naturalism seeks to portray all the social forces that shape the lives of the characters, usually conveying a sense of the inevitable doom that these forces must eventually bring about. Despite this apparent pessimism, Dreiser had faith in socialism as a solution to what he saw as the economic injustices of American capitalism. His socialist views were reinforced by a trip to the newly socialist Soviet Union, and in fact, Dreiser is still widely read in that country. There, as here, he is seen as a powerful chronicler of the injustices and ambitions of his time. Dreiser officially joined the Communist Party shortly before his death in 1945.
Henry Thoreau
In September 1842, Nathaniel Hawthorne noted this social encounter in his journal: "Mr. Thorow dined with us yesterday. He is a singular character---a young man with much of wild original nature still remaining in him; and so far as he is sophisticated, it is in a way and method of his own. He is as ugly as sin, long-nosed, queer-mouthed, and with uncouth and somewhat rustic, although courteous manners, corresponding very well with such an exterior. But his ugliness is of an honest and agreeable fashion, and becomes him much better than beauty. On the whole, I find him a healthy and wholesome man to know." Most responses to Thoreau are as ambiguously respectful as was Hawthorne's. Thoreau was neither an easy person to like nor an easy writer to read. Thoreau described himself as a mystic, a Transcendentalist, and a natural philosopher. He is a writer of essays about nature---not of facts about it but of his ideals and emotions in its presence. His wish to understand nature led him to Walden Pond, where he lived from 1845 to 1847 in a cabin that he built. Though he was an educated man with a Harvard degree, fluent in ancient and modern German, he preferred to study nature by living "a life of simplicity, independence, magnanimity, and trust." Knowing this, we should beware of misreading the book that best reflected this great experience in Thoreau's life: Walden; or, Life in the Woods (1854). It is not a handbook of the simple life. Though there are elements in the book of a "whole-earth catalogue" mentality, to focus on the radical "economic" aspects of Thoreau's work is to miss much in the book. Nor is it an autobiography. The right way to read Walden is as a "transcendental" narrative prose poem, whose hero is a man named Henry, a modern Odysseus in search of a "true America." Thoreau left Walden Pond on September 6, 1846, exactly two years, two months, and two days after he had settled there. As he explained in the pages of Walden: "I left the woods for as good a reason as I went to live there. Perhaps it seemed to me that I had several more lives to live, and could not spare any more time for that one." Growth, change, and development were essential to his character. One should not overlook the significance of his selecting July 4 as the day for taking possession of his residence at Walden Pond, a day that celebrates the establishment of a new government whose highest ideal is individual freedom. In terms of Thoreau's redefinition of the nation-idea, "the only true America" is that place where one may grow wild according to one's nature, where one may "enjoy the land, but own it not." Thoreau believed that each person should live according to individual conscience, willing to oppose the majority if necessary. An early proponent of nonviolent resistance, he was jailed briefly for refusing to pay his poll tax to support the Mexican War and the slave system that had promoted that war. His essay "On Civil Disobedience" (1849), which came from this period of passive resistance, was acknowledged by Mahatma Gandhi (who read it in a South African jail) as the basis for his campaign to free India. Martin Luther King, Jr. later attributed to Thoreau and Gandhi the inspiration for his leadership in the civil rights movement in the United States. Thoreau contracted tuberculosis in 1835 and suffered from it sporadically afterwards. His health declined over three years with brief periods of remission, until he eventually became bedridden. Recognizing the terminal nature of his disease, Thoreau spent his last years revising and editing his unpublished works, particularly The Maine Woods and Excursions, and petitioning publishers to print revised editions of A Week and Walden. He died on May 6, 1862 at age 44.
Borrow
All Available Copies
| Condition | Source | Price | |
|---|---|---|---|
|
eBook Obtain a digital book from our friends at eBooks.com.
|
Digital edition from eBooks.com | {{ebooksDotComPrice}} {{ebooksDotComCurrency}} | eBooks.com |
|
Audio Book Obtain a digital book from our friends at AudiobooksNow.com.
|
|
{{audioBooksNowPrice}} {{audioBooksNowCurrency}} | Audiobook |
Limited Preview for 'Theodore Dreiser's Uncollected Magazine ArtiBTCes, 1897-1902' provided by Archive.org
*This is a limited preview of the contents of this book and does not directly represent the item available for sale.*
A preview for 'Theodore Dreiser's Uncollected Magazine ArtiBTCes, 1897-1902' is unavailable.
You are now leaving the Better World Books website to complete your transaction. Your eBook download will be facilitated by our friends at eBooks.com. Thank you for your support and for shopping with Better World Books!
You are now leaving the Better World Books website to complete your transaction. Your audio book download will be facilitated by our friends at AudiobooksNow.com. Thank you for your support and for shopping with Better World Books!
You are now leaving the Better World Books website. Thank you for your support and for shopping with Better World Books!