Don Ihde is one of the founders of a distinctly North American approach to phenomenology in work that centers around technology. After completing his B.A. degree at the University of Kansas (1956), he earned a Master of Divinity degree at Andover Newton Theological School (1959) and a Ph.D. at Boston University (1964). His doctoral dissertation on the phenomenology of Paul Ricoeur set the stage for later original contributions to phenomenological analysis. Ihde taught at Southern Illinois University before moving to the State University of New York at Stony Brook, where, since 1969, he has served at different times as Head of Philosophy and Dean of Liberal Arts and Humanities. In the mid-1970s, together with his colleagues at Stony Brook, Ihde developed an intentionally eclectic school of experienced-based "experimental phenomenology" with bridges to pragmatism, which has concentrated on elaborating the ways that instrumentation mediates between human beings and the world. His book Technics and Praxis (1979) was the first real work on the philosophy of technology in English. In 1990 Ihde, together with Indiana University Press, initiated a new monograph series in philosophy of technology that has since become one of the most influential collection of publications in the field.
"...an imaginative application of phenomenological investigation ... this highly accessible work creatively engages phenomenological concepts ... It will appeal to readers in many different disciplines--from philosophy to musicology to psychology and linguistics." -- CHOICE
"...finally, a little-known gem has reappeared ... clear, commonsense examples dominate this sagacious book." -- ThScore
"The significance and importance of the topic, and centrality of the topic to a particular field of study, is directly related to Ihde's strong reputation. His work is central to any study of the interface between the human body and technology, and his reputation began with, and still includes, the first edition of this book. He has been important to the field for thirty years and continues to contribute new insights." -- Lenore Langsdorf, coeditor of Recovering Pragmatism's Voice: The Classical Tradition, Rorty, and the Philosophy of Communication
"This book is pathbreaking. It is still the only detailed phenomenology of listening and voice that we have. Philosophy, up until Ihde, was obsessed with visual representation and visual metaphors. Ihde contrasts visual perception with aural experiments, mixing up the examples and talking about pop music and opera in the same analytical voice." -- Trevor Pinch, coauthor of Analog Days: The Invention and Impact of the Moog Synthesizer
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Don Ihde is one of the founders of a distinctly North American approach to phenomenology in work that centers around technology. After completing his B.A. degree at the University of Kansas (1956), he earned a Master of Divinity degree at Andover Newton Theological School (1959) and a Ph.D. at Boston University (1964). His doctoral dissertation on the phenomenology of Paul Ricoeur set the stage for later original contributions to phenomenological analysis. Ihde taught at Southern Illinois University before moving to the State University of New York at Stony Brook, where, since 1969, he has served at different times as Head of Philosophy and Dean of Liberal Arts and Humanities. In the mid-1970s, together with his colleagues at Stony Brook, Ihde developed an intentionally eclectic school of experienced-based "experimental phenomenology" with bridges to pragmatism, which has concentrated on elaborating the ways that instrumentation mediates between human beings and the world. His book Technics and Praxis (1979) was the first real work on the philosophy of technology in English. In 1990 Ihde, together with Indiana University Press, initiated a new monograph series in philosophy of technology that has since become one of the most influential collection of publications in the field.
Professional Reviews
"...an imaginative application of phenomenological investigation ... this highly accessible work creatively engages phenomenological concepts ... It will appeal to readers in many different disciplines--from philosophy to musicology to psychology and linguistics." -- CHOICE
"...finally, a little-known gem has reappeared ... clear, commonsense examples dominate this sagacious book." -- ThScore
"The significance and importance of the topic, and centrality of the topic to a particular field of study, is directly related to Ihde's strong reputation. His work is central to any study of the interface between the human body and technology, and his reputation began with, and still includes, the first edition of this book. He has been important to the field for thirty years and continues to contribute new insights." -- Lenore Langsdorf, coeditor of Recovering Pragmatism's Voice: The Classical Tradition, Rorty, and the Philosophy of Communication
"This book is pathbreaking. It is still the only detailed phenomenology of listening and voice that we have. Philosophy, up until Ihde, was obsessed with visual representation and visual metaphors. Ihde contrasts visual perception with aural experiments, mixing up the examples and talking about pop music and opera in the same analytical voice." -- Trevor Pinch, coauthor of Analog Days: The Invention and Impact of the Moog Synthesizer
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