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"The Gypsies" is modern Russian literature's first masterpiece. Telling the anti-Romantic tale of an effete city-dweller whose search for "unspoiled" values among a band of gypsies ends in tragedy, it is the major but unacknowledged source for Bizet's Carmen. In "The Bridegroom" Pushkin turns the Romantic ballad into a whodunnit filled with sexual dread and subconscious terror. In "Count Nulin," a deliciously comic tale of country life, he stands Shakespeare's "Rape of Lucrece" on its head what would have happened if Lucrece had slapped Tarquin's face? "The Tale of the Dead Princess" (Pushkin's version of the Snow White story) transforms Russian folk t
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