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Probably Hurston's greatest gift to world literature Sep 23, 2001 (187 of 196 found this helpful)
"There Eyes Were Watching God," by Zora Neale Hurston, is widely acknowledged as a beloved classic of American literature. This novel is truly one of those great works that remains both entertaining and deeply moving; it is a book for classrooms, for reading groups of all types, and for individual readers.
In "There Eyes," Hurston tells the life story of Janie, an African-American woman. We accompany Janie as she experiences the very different men in her life. Hurston's great dialogue captures both the ongoing "war of the sexes," as well as the truces, joys, and tender moments of male-female relations. But equally important are Janie's relationships with other Black women. There are powerful themes of female bonding, identity, and empowerment which bring an added dimension to this book.
But what really elevates "Their Eyes" to the level of a great classic is Hurston's use of language. This is truly one of the most poetic novels in the American canon. Hurston blends the engaging vernacular speech of her African-American characters with the lovely "standard" English of her narrator, and in both modes creates lines that are just beautiful.
"Their Eyes" captures the universal experiences of pain and happiness, love and loss. And the whole story is told with both humor and compassion. If you haven't read it yet, read it; if you've already read it, read it again.
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An American Masterpiece, well worth reading Oct 17, 2007 (34 of 36 found this helpful)
"Their Eyes were Watching God" has been variously described as feminist literature (though written in 1930), African-American literature (though the story is about people, first and foremost, and race is secondary to the novel) and as a lost masterpiece. It's a lost masterpiece. Thanks to Alice Walker and Oprah Winfrey, the book was brought back to the public's attention.
One of the issues with reading Hurston's novel is that it's written in dialect--in Hurston's rendition of how Southern Florida black dialect could be spelled out to her. So reading the book is a bit slow; you have to sound out the words in your mind. If this is a problem, then I'd suggest you listen to the book on tape (ably performed by Ruby Dee) and then read the book afterwards.
The story has barely a plot; Janey is a young woman who's grandmother was born in slavery. Her aspirations are no further than the front porch; to live in comfort means being simply able to sit, to sit on the porch and not be in constant motion, working every hour of every day for bare subsistence. She finds an older, established husband for Janey and insists she marry. Janey, then, has a life where, with reasonable work, she can fill her belly and sleep in shelter. Her life is not much better than that of a well-cared-for mule.
One day, Janey runs off with Jody Starks, a man of means who charms her with his worldy ways. This is a man going places. And they do go places; to Eatonville, a town that was chartered as an African-American community. Starks sees opportunity in every corner of dusty Eatonville, buys land, builds a store and a house and installs the beautiful Janey as a symbol of his mastery.
As Mayor, Starks has appearances to keep up. He has Janey stay in the house or work in the store, and when in the store, she is to keep her head covered. Janey has a wealth of long abundant hair, which Hurston uses as a symbol of life. Janey's hair is flowing and startling; men covet it. As the hair is covered, so is every enjoyment and thought Janey has. She chafes for 20 years under Stark's restrictive rules.
The scene where the "town mule"--a mule freed by Starks from an abusive owner and that became a sort of mascot, dies and is buried in the swamp is exceptional writing, worthy of Mark Twain. The mule is eulogized (by Stark, standing at one point on the mule as podium) and then abandoned to the waiting buzzards. The following scene where the buzzards arrive to do their undertaking is a flight of fancy that is hardly equalled in American literature. All along the book, Hurston takes smaller flights of language; her descriptions sometimes soar, or are humorous or completely imaginative.
Janey runs off after Stark's death with "Tea Cake"--a younger man. While her first two marriages were for the sustenance of the body (food, shelter, comfort, a home) this marriage is for the sustenance of the soul. Tea Cake plays guitar, plays games, dances, gambles, sings and flirts. Hurston is too clever to make him perfect; he hurts Janey, as only someone who loves another person can hurt them, and he is a bit of a cad, yet he brings out something in Janey that no life of pure material wealth could do--freedom and sensuality and joy. The culmination of the story is rather contrived, but still, the completion of the three marriages tells almost a fable-like story of a quest for personal growth. Janey comes home to Eatonville, and tells her story to Phoeby, her friend. The rest of the tale is up to us to fill in.
Sometimes the writing reminds me of Virginia Woolf--the interior dialog and mood of the character is the action as much or more than the action happening on the story's stage. Sometimes Hurston reminds me of Twain in her delving into the linguistic richness and uniqueness of Floridian life. Her education as a folklorist sharpened her ear, but her deep honesty into the interior life of women is
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Every woman's hero. Jan 27, 2000 (23 of 25 found this helpful)
At the end, I closed the book and I cried. Then I wanted to open it and start reading all over again from the beginning. Janie is a woman who has endured oppression, suppression, and tragedy. She found love and she found herself. She not only survived but discovered her own strength and accepted life without self-destructing. Janie, is every woman's hero, most certainly mine.
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_The_ Modern love story Dec 3, 1999 (61 of 74 found this helpful)
Other modernists, such as F. Scott Fitzgerald and Edith Wharton, tore apart the classical love story, dependant as it was on outer union, on a coupling of circumstance and fate. Age of Innocence is a biting parody, exposing the superficiality of, for example, Jane Austen's society romances (despite their unsurpassed wit). Gatsby buys into classical script, but the carefully constructed narrative of Romantic love he tries to realize is shattered by the realities of a modern age. He is left, staring at an empty window because he cannot believe that Daisy is not behind it gazing at him, but downstairs coming to terms with her husband. Their Eyes Were Watching God, however, fills the void left by others' criticism. At first, romantic love sweeps Hurston's heroine too off her feet: "From now on until death she was going to have flower dust and springtime sprinkled over everything. A bee for her bloom." But this is unsatisfying, and eventually the book reveals a love story for the modern age, which finds as its essence not external union, but inner, personal fulfillment and genuine partnership. This is not to say Hurston's vision is more 'realistic,' or less rare, but that, as an ideal, it is far more relevant than its predecessors. Hurston's lovers find in each other not alabaster idols, but a mutual epiphany. "They seemed to be staring at the dark, but their eyes were watching God."
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A great book for our times Aug 20, 2006 (12 of 12 found this helpful)
Out of curiosity I picked up "Their Eyes Were Watching God" at a yard sell and discovered a gem.
Though the book was written over 60 years ago, if feels modern. As I am from the Deep South, I found Zora Hurston's use of the Black dialogue refreshing, feeling similar to what I hear everyday in the classes that I teach.
The protagonist in the book, Janie, spends much of her life living as others want her to live. Her second husband, who literally owns half the town, places her on a high pedestal which no one but him is allowed to touch. Janie inherited light skin and long hair from her white grandfather. Joe Starks wants others to see that he married a beauty, but he keeps mentally putting her down, saying "someone has to think for the women, children, chickens, and cows."
Janie must struggle with finding real love and discovering who she really is.
At one point in the story, it feels as if Zora Hurston pulled from today's headlines. While in the midst of a raging hurricane, Janie must flee the rising waters of a busted levee.
This is a book I recommend to more mature readers. The dialogue will turn some people off, but I found the language a strong lure which pulled me into the story, making the characters feel real.