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Prepare to lose sleep May 25, 2004 (20 of 21 found this helpful)
I have been anxiously awaiting this book since first reading about it months ago. When I got it yesterday, I devoured it. The first 100 pages give you no let up at all. You can literally feel the end of the world approaching as an evil, foul-smelling rain descends on Molly and Neil's house. What awaits her on the porch and in the garage gives you more of a sense of dread than if actual razor-toothed gremlins were staring up at her. The peace and calm exhibited from everything in this scene of destruction makes it that much more powerful. For the first half of the book, you have several possible answers thrown at you. An emergency broadcast from the space station will give you literal chills.
The only thing I didn't enjoy was the ending. As the culprits of this destruction are unveiled, it loses some momentum. While the answer makes sense, you start to lose that sense of "something's out there waiting for me". Instead, you sort of keep watching from a sense of macabre interest--sort of like driving by a car wreck slowly. Don't get me wrong, there are still plenty of surprises and suspense thrown in, but I think the book would have been much more powerful if we'd been left in the dark just a little longer. The feeling of defeat and utter hopelessness doesn't let up, but the overall fear and dread die away as the revelations come in.
All in all, I'm very satisfied with this story though. Highly recommended.
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Goes from good to bad May 31, 2004 (80 of 100 found this helpful)
When Molly Sloan awakens one night to the drumming of an oddly scented luminescent rain, she senses that something is off-kilter. The coyotes huddle frightened on her porch. She feels a disturbing presence moving past in the sky. When her husband Neil awakens with nightmares, the two of them watch news broadcasts about bizarre supernatural occurrences, shocking violence, and public panic that arise around the globe. It starts to look as if an alien invasion has begun. Then the power goes out. Molly and Neil join up with some of their neighbors, trying to identify what is happening and how to deal with the increasingly evil and omnipotent entity that appears to be taking over the planet. The townspeople splinter into factions, each with its own opinion on how to handle the crisis.
The story starts off with powerful mood-building imagery and with echoes of Koontz's "Strangers" and Stephen King's "The Stand" and "The Mist." Koontz then cranks up the suspense and horror as alien vegetation begins to invade the town, the residents are dispatched in gruesome and mysterious ways, and the dead come to life. Now the story segues into a Twilight Zone screenplay, as the supernatural and otherworldly occurrences increase. By the halfway point, Molly and Neil are now on a crusade to save the children at any cost, even though they wonder how anyone, adult or child, could survive this hellish new world order. When there are only 50 pages left to go in the story, I am wondering how Koontz could ever resolve the plot instead of leaving the reader hanging until a sequel. Then comes a disappointing ending that plays strongly on Koontz's increasing trend to use religion and hope in his books. Dogs feature prominently in this story, as they do in many of Koontz's books. However, the author's trademark sense of humor is conspicuously absent here.
To be fair, I give the first half of the book a five star rating for an excellent portrayal of a horrific and inexplicable entity gaining absolute control over the earth. I give the middle a three star rating as Molly assumes absurdly heroic proportions in the midst of Armageddon. The ending deserves one star as a cop-out and a disappointment. So how can I sum the book up? If you are a Koontz fan like me, you will want to read the book. The first half is a powerhouse of creepiness and it has a story line build-up that showcases the best of Koontz's storytelling abilities. But the second half will likely let you down, unless your favorite theme in Koontz's books is the transcendence of horror by uplifting spirituality.
Eileen Rieback
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Excellent Work by Koontz! Jan 18, 2009 (10 of 10 found this helpful)
I think the almost perfect dichotomy in the ratings for this book is telling. As of January of 2009 there are 220-4&5 star ratings and 201-1&2 star ratings. An almost equal level of love and hate for this book. This seems very unusual.
As for myself, I loved this book. I'm a Koontz fan, so you might expect me to like another of his excellent novels, but there really is a great deal to like about this story. The story itself is an alein invasion story, but not your average, overdone nasty outerspace invaders type of tale. This one is done with a twist that I haven't seen done this way before, although I'll admit to not having read a great deal of Sci-Fi. Koontz admits in a podcast that I've listened to that his inspiration for the story came from Arthur C. Clarke, who suggested that alein technology from an advanced civilization might seem somehow supernatural to us. Koontz wondered about turning ACC's idea on it's head and suggesting that a supernatural invasion might seem like advanced technology to people in a society who don't believe in magic anymore. To people who only believe in science and the material world. I found this concept fascinating and Koontz's execution of it very well done.
I appreciate his use of metaphor and simile. His prose is vivid and often poetic and evokes such strong visual and auditory images in your mind as you read that you feel as if you are experiencing his created world first hand. His description of sights, sounds and smells become so real that one can feel the dark portent in the oppressive, driving rain, the bizarre behavior of the animals and the emotional response of his human characters. There is a scene early in the book where the main character, Molly, encounters a group of Coyotes in an uncharacteristic pack, frightened by the ominous falling rain onto her front porch. The description of this encounter is told so vividly and compellingly that it truly sets the tone for the otherworldiness of what is happening to the world around her. You can feel and appreciate her apprehension, her awe at being able to stand among these animals that, under ordinary circumstances, would turn on her in a heartbeat. It's a perfect scene to help set the mood of the story. And there are plenty more of them in the opening sequences of the book.
Another of the aspects of this novel that I enjoyed was DK's ability to express philosophy to the reader through the story and inner dialogue of characters. "During Molly's lifetime, architects had largely championed sterility, which is order bled of purpose, and celebrated power, which is meaning stripped of grace. By rejecting the fundamentals of the very civilization that made possible it's rise, modernism and it's philosophical stepchildren offered flash in place of genuine beauty, sensation in place of hope.... All of humanity's follies seemed worth embracing if that were the price to preserve everything beautiful in civilization. Although the human heart is selfish and arrogant, so many struggle against their selfishness and learn humility; because of them, as long as there is life, there is hope that beauty lost can be rediscovered, that what has been reviled can be redeemed."
There is one point to this novel that I didn't like much. In the early part and a bit more than halfway through the book, Koontz introduces some elements that are common to the average horror novel; grotesque beasts and walking-dead cadavers. I personally hate this kind of stuff, but I do understand what the author was trying to convey with these elements in his story. Satan always tries to mimic the perfection of God and wishes to create life where none exists, like God did, or raise the dead to walk again, as God will do in the future. But, all his efforts can only be abominations and grotesqueries, like the beasts and zombies in the book. So, even though I didn't personally like these elements, they certainly had a place in the sto
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"Left Behind", the horror version. May 7, 2005 (36 of 45 found this helpful)
What happened to the Dean Koontz who wrote such captivating thrillers as Watchers, The Bad Place, Whispers? If like me you used to pick up his latest novel expecting to spend a good time with an exciting book, be warned: this novel is completely at odds from his former work.
His books used to be built around a solid, captivating story, and although they all contained some bits of what could be identified as right-wing rhetoric, one could easily pick them out and still thoroughly enjoy the book.
Koontz's favorite themes are still there: one must own a gun to be able to defend oneself, helpless children, supernaturally-gifted dogs, science has run amok by insisting on disregarding faith, the world is packed with evil criminals who get away with murder thanks to the inanity of our justice system and the stupidity of our lenient leaders.
But he's no longer pulling his punches and he's finally calling things the way he sees them (not a pretty sight). I was fascinated to find out his position about global warming (he claims most scientists think it's bogus, which will probably surprise "most scientists"), his love for guns and the overall right-wing, ultra-religious, intolerant tone of the novel.
And the story? Unfortunately, there's not much of that. Essentially, it's a horror version of "Left Behind". If you're looking for an original, gripping tale like Koontz used to write, don't bother. If you like moralistic, preachy doomsday stories and think Pat Robertson is a bleeding heart liberal, chances are you'll enjoy this book immensely.
Me, this dreck has cured me of buying Koontz's books on his name alone. Next time I'll read the reviews before I get suckered by this false advertising. Mr. Koontz, please do a favor to your old fans: if you plan on writing more books like these, use a cover similar to those of the "Left Behind" series. No hard feelings.
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Things That Go Bump in the Night, and Day Jun 16, 2004 (13 of 15 found this helpful)
As readers we sometimes have certain expectations of how a novel should or could proceed. If the novel proceeds in a direction so completely different from the direction we expect, and the difference is less than pleasing, then we become upset. Such can be a reader's experience with this book.
The book begins with an incredible amount of promise. A strange rain begins one night, waking Molly and Neil Sloan from their sleep. There is something strange happening in the world; something very strange. The strangeness increases even more in the daylight. Every element in the first portion of this book is intriguing and fascinating, and pulls the reader further along, seeking resolution and answers. However, there comes a point when it seems as though Koontz loses track of his purpose, or perhaps he inadvertently communicated a different purpose in the first part of the novel than where the story eventually leads us.
I would like to discuss what happens at the end of the story, but I would rather not spoil any more of the ending than necessary, so I'm going to be vaguer than I would prefer. Koontz' story evolves into metaphysical contemplation and become more akin to the "Left Behind" books than to "The Watcher." I realize that Koontz has been writing for a long time, and he has yet to explore the subject matter of this book in the kind of depth that he does in this book, but the ending left me somewhat unfulfilled. I really liked how the book was progressing, but the ending just seemed a bit too trite. Further, there were a couple of things that I thought Koontz could have developed much more, but did not; quite strange given the current trend for 500+ page novels.
The result is that I am mixed regarding this novel. I would like to see Koontz take another shot at writing this novel with a different ending. Of course, that is pure wish because it will not happen. However, another author might yet take up the incredible beginning and create another story altogether. The potential is there, because it was unrealized in this book. Five stars for the beginning and two stars for the end. I'd give the book 3.5 stars if I could, but it gets 3 stars because of the ending.