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The link between Dickens and James? Mar 31, 2003 (39 of 42 found this helpful)
When one finishes "Casterbridge," one is immediately struck by its place in the development of the novel. Hardy came after Dickens and before James, and his style intrigues as you connect parts of it to the former, parts to the latter.
His plotting is sort of Dickens "lite." There are mysterious benefactors, sudden tragic deaths, reversals of fortune, paternity mysteries, ect. His prose is cleaner and easier to read than both Dickens and James; "Casterbridge" scans better than "Bleak House" or "The Wings of the Dove."
The story begins when a pastoral laborer, in a drunken rage, sells his wife and child one evening (I hate it when that happens...). When he wakes the next morning, abhorred at what he has done, he swears off liquor and decides to make something of his life. The novel truly begins eighteen years later, when his wife and daughter come back to present themselves to him. In the course of the rest of the novel, we witness the fall of the now Mayor of Casterbridge, brought about by his own character flaws and the interventions of fate.
Henchard, the main character, is a facinating combination of hot-spirited volition and turn-on-a-dime repentance. He is quick to do things which damn him but just as quick to admit his guilt. He is a wonderful character and a precursor to the later "psychological" novels of James and Forster. The satellite characters remind one of Dickens, but they are not nearly as startling and interesting, but of course, a character such as Henchard never existed in all of Dickens.
The novel proceeds to its forgone conclusion inexorably, albiet with a few melodromatic touches, yet it sustains its tone and readibility due mostly to Henchard, and the dramatic situations Hardy puts him through.
Well worth a look.
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Be Careful What You Wish For? Jan 9, 2003 (22 of 24 found this helpful)
Since I have decided to dedicate part of my time spent reading in 2003 to the classics, I started first with The Mayor of Casterbridge, not the most famous of Hardy's works but seemingly a good place to start. I will definitely read the other works by this author since I was so captivated by this book.
The novel begins with the sale of Michael Henchard's wife and child to the highest bidder at a local summer fair. Henchard is drunk and his wife, tired of his habits, decides to leave with the sailor who bids on her and her daughter. Henchard wakes up the next morning, somewhat remorseful for what he has done and vows not to drink for twenty-one years.
The very next chapter picks up the story nineteen years later, with the return of the wife and child into Henchard's life. Henchard is now quite wealthy and is such an important man in his community, he is now Mayor of Casterbridge. From here, a series of wrong decisions and misunderstandings lead to the devastating conclusion.
Hardy is well known for his tendency towards gloomy endings and this book certainly fits the mold. But he is also well known for his lyrical descriptions of the English countryside and describing a way of life which had disappeared even in his own time. There were beautiful passages about the hay carts being driven through town, loaded so high that people on the second floor of homes could reach out and touch the top of the hay. Small details abound, describing the sound of rain on trees and the smell of the local foods. But perhaps the most significant aspect of the novel for me was the feeling that Henchard had wished for everything that had happened to him, and all of his wishes came true, and thus ultimately his downfall. These wishes were almost all made in a rash moment, when perhaps a minute or more of reflection could have produced a clearer head. Yet Henchard lives by his instincts, since for almost twenty years they seemed to serve him well.
I would recommend this book to any serious literature lover and I believe it serves as a good introduction to his other works. His books serve as a bridge from Victorian literature to modern literature, with no happy endings guaranteed.
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Discovery of the Beauty of English Literature Dec 7, 2000 (15 of 16 found this helpful)
At first I was forced to read "The Mayor of Casterbridge" in school more than 12 years ago. Reading it slowly made an impact on my life. This book always served a special purpose in my life. It introduced me to the wide world of Literature. It sort of enlighten my interest and liking for English literature. Now re-reading it not only brought back fond memories of my yester school days but also renewed my liking to one of the greatest writer of all time Thomas Hardy.
Through this novel I came to the understanding of Irony and oxymoron. Hardy totally wrote with a sense of awareness of human characteristic and he had a amazing style of mixed humour with tragedy.
His protagonist,Michael Henchard's life was under the microscope of Hardy.
I love the way the story began I quote:"ONE evening of late summer, before the nineteenth century had reached one-third of its span, a young man and woman, the latter carrying a child, were approaching the large village of Weydon-Priors, in Upper Wessex, on foot. " I love the Englishness and the sense of intriguing events that would follow...
In brief, Michael Henchard was a drunk who sold his wife and daughter at the fair. Later he realised his mistakes he work real hard and eventually became the mayor of Casterbridge. His life took another twist 20 years later when his wife and daughter came back to his life plus a few more other characters adding on the complexity of his life.Soonafter events unfolded and many things became to go against his way and then came his downfall. Indeed Michael Henchard's rise and fall were filled with compelling details and his encounters with numerous intestering people.
What I love most about this novel was the way Hardy depicted Henchard's behaviours and thoughts and totally enhanced his weak character and irresponsibleness with dashes of ironies. His sardonic literary style were brilliant and at the same time he also vividly described the scenery and situations. Another greatest of Hardy was his ability to create innovative characters still account for in modern contemporary days and he was a pioneer in analysising human's weakness and blended it into his creation. It's a vintage classic,psychoanalytic and intriguingly written ,a must read for all books lover.
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A literary miracle...and a very modern novel... Dec 9, 2003 (10 of 10 found this helpful)
I'm re-reading this book that thrilled me years ago and thrills me today. Now, however, I realize just how "modern" it is, even more so than the works of Dickens, whom I also revere, but whose writing had a quaint quality that actually makes him the lesser artist, in my opinion. Hardy's writing is spare but nothing is left out. You feel it, you taste it, you live it. It has the firm, sure quality of a minimalist work of art, and yet the twists and turns of its plot are dizzying. I detect its influence on novelist Toni Morrison, I might add. I'd be willing to bet she's a Hardy scholar. I read many passages, many scenes, that reminded me of her "folksy" conceits. And I was amazed at Hardy's contemporary understanding of addiction, in this case alcoholism. In fact, Henchard is a "dry drunk." He abstains from liquor for 21 years, but his character defects and lack of spiritual awareness catapault him right back into his disease when he begins drinking again. In fact, his life spirals out of control faster and faster with his first return to drink, showing that alcoholism, like all addictions, is a progressive disease. A reviewer here said the book was depressing, and that Hardy is dark. However, the "light" in Hardy comes with his wisdom, not unlike Faulkner's, of human nature. There are so many themes of the enduring truths that one is uplifted just by the reading. Sometimes I mourn for the writers I will never meet, the ones who have passed on. Their teaching is so important to my own spiritual and artistic growth, that I have experienced a great love from them and for them. Hardy is one of those for me. Wherever he dwells now, I send him my appreciation.
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Possibly the Perfect Tragic Character May 31, 2004 (6 of 6 found this helpful)
When Thomas Hardy penned The Mayor of Casterbridge, he brought to life a very authentic character in Michael Henchard. He is possibly the perfect tragic character. The only other character I can think of to compare him to as I struggle to describe him and the story - for he is so much the story - is King Lear. But where Lear was a King who was foolish, Michael is the common man, a simple hay trusser, with several character flaws ... most notably shortsightedness and a desire to "be on top". He at no point feels something that most people don't but where we restrain our first rash and selfish actions (most of the time), he goes full out until he has cost himself everything and too late finds redemption. His flaw is insidious and all too common, so we relate easily even through his most outrageous misadventures.
In a fit of drunken despondency, feeling that he is being pulled down by the responsibility of being a twenty-one year old husband and father, he jests that he would gladly part with his wife and daughter for the sum of five pounds. After having sworn this so vehemently for the entire evening, he has little recourse when someone takes him up on it and his wife, in shame and anger, agrees to go with the purchaser, taking their daughter with her. When sobriety brings full realization, it also brings a vow of temperance from Michael who in the following fifteen years builds himself up to a position respectability and public admiration in the nearby town of Casterbridge.
Though he seems to have learned his lesson, we are only on chapter two and his story is just beginning as his wife and child return and his friendship with a trusted friend and critical advisor becomes a bitter rivalry. Time and again he demands allegiance when he need only ask it and return it in kind.
Hardy's writing style is direct and straight-forward with no flourishes like you might find with Dickens or Twain. He has a story to tell and he tells it - no swashbuckling adventures like DeFoe or Dumas. However you feel about that, the character of Michael Henchard continues to skulk around in my head. He represents to me a very real possibility of personal failure and haunts my mind now just as Scrooge's deceased partner haunted him in A Christmas Carol. I would have given this book a fun factor of three stars when I first read it. Now I give it five stars because I have had the time to realize what a masterful job Hardy did when he created Michael Henchard.