The Classic Ten

Customer Reviews

• Lots of fun and familiar  Feb 3, 2004 (11 of 11 found this helpful)

  It's hard to find good, lively fashion writing that's geared to the consumer -- not just to the elite insiders working in the fashion industry. This book fills a need for the everyday fashionista who loves to read intelligent copy about clothes, especially the classics already in her closet. The author knows her subject and her affection is contagious.

  There's nothing much new here, but still, it's loads of fun to rehash. Reading these essays, I had a vague sense that I'd read some of the material in several other places by several other authors -- such is the familiarity of the Little Black Dress, for example. (Everyone wants to own the LBD and every fashion writer in America has written about it. Ditto the trench coat.)

  But don't let that spoil the fun and romance of this delightfully fun read! It's a great little tribute to the classics, and deserves a place on your nightstand.

• Enjoyable, informative and surprising  Oct 25, 2005 (9 of 9 found this helpful)

  While I would still qualify this as "light" reading, it's an intelligent read about a subject some have written off as too inconsequential and that others have elevated to deadly seriousness. This book strikes a nice balance, coming from the point of view that our clothing says a lot about us, whether we are conscious of it or not.
  
  While I appreciated the author's writing style and observations (I burst out laughing when she described wannabe hip hop fans in pursuit of the perfect sneaker as foot fetishists), she didn't go out of her way to be too clever or witty (although she did quote quite a few people who arguably do, especially the designer- Manolo Blahnik?- who declares that it's all about extremities and the rest of the body is boring. Okay...) In the ten main chapters, the book provides a history of the evolution and a commentary on the social significance of each of the classic ten style items, almost all of which are interspersed with personalities who embodied the spirit of the item. (It should be noted that Audrey Hepburn and Coco Chanel made an appearance in almost every chapter. Where would modern fashion be without them?)
  
  Some points that will stay with me: the seventies/early eighties trend towards natural and the cosmetics executive who bragged about her skill applying twelve different products to achieve the natural look; the evolution of the men's suit to embody the Greek (Greco-Roman) ideal of the perfect body; the foot fetishisms that seem to inform so many footwear designs (and a deplorable ad by Apostrophe involving fetishism and murder- remind me not to buy any of their shoes!).
  
  While I couldn't argue with her choices, I found it odd that she did not include black boots or the perfect scarf in her list. That may have pushed her over the all-important number ten, but since she sort of cheated in her discussion of the white shirt (which refers to both the button down version and the T-shirt), I think she should have found a way. But that's a very minor complaint.
  
  If you're interested in fashion history and modern dress, this will be an enjoyable read.

• Just how DID these classics come into our fashion vocabulary?  Nov 15, 2007 (1 of 1 found this helpful)

  Why do these Ten (and I agree it could have been more) classic items figure in almost every list of basics for anyone wanting to dress well?
  
  This book answers the question and gives a thumbnail sketch of fashion history, tracing the evolution of each item as it became a classic.
  
  This is a great book, glad I bought it, the writing is fresh easy and interesting, and each chapter holds it's own.
  
  I'd happily buy another book by this author, especially if she chooses to write about some of the other classics that didn't make her first ten.