It's not a book about food, but about a life --- a glorious life Apr 24, 2006 (180 of 184 found this helpful)
Most Americans know of Julia Child via the parodies of her cooking show --- a frowsy, big-boned matron with a trill in her voice, hacking up a chicken with more zest than is called for, most likely because she's been chugging the cooking sherry. Well, that was, on occasion, a fair take on Julia Child, the jolly chef who taught her fellow citizens the joy of French cooking on public television.
But Julia Child was much more than a 6'2", 158-pound precursor of Martha Stewart. She was a revolutionary. Not intentionally. She just had the great good fortune to find herself living in Paris with no job and nothing more compelling than a tentative interest in cooking. She signed up for classes at Cordon Bleu, got hooked, and soon found herself, with two friends, working on a book we now take for granted but was then unimagined --- an authoritative guide to French cooking for Americans. Published 40 years ago, 'Mastering the Art of French Cooking, Volume One' has never gone out of print. It never will. It is the gold standard.
Julia Child died in 2004. Of her 11 books, none was a memoir. But she kept scribbles and letters, and at the end of her life, she began to shape this book with her grandnephew. Like almost everything she touched, 'My Life in France' is a triumph --- insightful, poetic, deadly accurate about people, and, above all, tasty. To read it is to breathe French air.
Nothing in her early life would have predicted that Julia Child would become formidable in any way. Her father was a conservative Southern California businessman; her mother was "warm and social." After college came World War II and government work in Ceylon. There she met Paul Child, an artist who designed 'war rooms' for the generals. The first meal she cooked for him --- brains simmered in red wine --- was not a success. Still, they married, and, in 1948, moved to France. She was 36. She didn't speak a word of French.
Her first meal, in Rouen, started with oysters, served with a pale rye bread and unsalted butter. They were followed by sole meuniere, "perfectly browned in a sputtering butter sauce with a sprinkling of chopped parsley." Mr. and Mrs. Child washed it down with a bottle of Pouilly-Fume. They moved on a green salad and a baguette, fromage blanc and cafe filtre. "Absolute perfection," Julia decided. "The most exciting meal of my life."
Fortunately, the Childs were not rich --- two-star restaurants were the best they could afford in Paris. But Julia was reading cookbooks, making friends in the food markets, falling in love with Paris. At Cordon Bleu, her classmates were 11 former American servicemen who were studying courtesy of the GI Bill of Rights. She went right to the head of the class.
To read this book is to peer over her shoulder and learn with her. Scrambled eggs, for example. They are not whipped, just gently blended. Smear the pan with butter, add the eggs, salt and pepper, cook over a low flame. After about three minutes, the eggs will start to form a custard. Only then do you stir rapidly with a fork, sliding the pan on and off the burner. Pull the egg curds together --- and, finally, add the butter, to "stop the cooking." Sprinkle with parsley (or not). Serve. Dazzle.
The real revelations in this book are not about food, however ---they're about work. There's a lot of it involved in the creation of a book, especially when you're creating something new. "WHY DID WE EVER DECIDE TO DO THIS ANYWAY?" Julia writes to one of her collaborators. But after eight years, the thing is done. And Knopf offers to buy it for $1,500. The galleys weigh 15 pounds. When printed, it is 732 pages long.
In 1961, when 'Mastering the Art of French Cooking' was published, Paul Child was 59 years old. Julia was 49. They had no expectations of a bestseller, much less a franchise. But the New York Times raved --- the recipes are "painstakingly edite