Last Night in Twisted River

A Novel

 
4.0 based on 50 reviews.

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Hardcover Book, 576 pages

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Product Description

In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an anxious twelve-year-old boy mistakes the local constable’s girlfriend for a bear. Both the twelve-year-old and his father become fugitives, forced to run from Coos County–to Boston, to southern Vermont, to Toronto–pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.

In a story spanning five decades, Last Night in Twisted River–John Irving’s twelfth novel–depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel’s taut opening sentence–“The young Canadian, who could not have been more than fifteen, had hesitated too long”–to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving’s breakthrough bestseller, The World According to Garp.

What further distinguishes Last Night in Twisted River is the author’s unmistakable voice–the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: “We don’t always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly–as if out of the sky, or as if there were a direct flight from Heaven to Earth–the same sudden way we lose people, who once seemed they would always be part of our lives.”

Product Details

  • Subtitle: A Novel
  • Media: Hardcover Book, 576 pages
  • Publisher: Random House (October 27, 2009)
  • Format: Deckle Edge
  • ISBN-10: 1400063841
  • ISBN-13: 9781400063840
  • Dimensions: 6.2 x 9.3 x 1.6 inches
  • Shipping Weight: 1.95 lbs
  • Note: Some of this information came from Amazon.com

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Customer Reviews

  • Rating Welcome Back, John Irving!  Sep 29, 2009 (110 of 111 found this helpful)

    After a three novel fixation on sex both domestic and abroad, John Irving makes a triumphant return to the literary landscape of The World According to Garp (Modern Library) in his twelfth novel, "Last Night in Twisted River". Father Dominic Baciagalupo, a cook for a logging community, and his son Daniel are co-protagonists in a story about manhood, family, love, friendship, a whole lot of cooking, and of course sex (though the sexual exploits of the characters don't overwhelm the story). At first it's the world of logging that pulls you into the story, much as the waters of Twisted River pull young logger Angel Pope into an early death in the novel's first sentence.

    The first section of the book, set in the 1950s in the far north of New Hampshire, is absolutely captivating. As with Irving's early novels, a bear plays an important and almost mythical role. The middle section follows Dominic and now writer Danny in an odyssey brought about by their last night in Twisted River, the events of which cause them to vacate the logging town. Unrepentant logger Ketchum, who remains in the woods, plays a significant role in both lives, despite trying to keep his distance. Like TS Garp, Danny becomes a novelist. In the last half of the book the writer struggles with the tragedies of his life - both accidental ("it's a world of accidents", warns his father) and arranged (despite the best efforts of the ever-vigilant Ketchum) - and with crafting novels, striking a balance between the autobiographical and the imagination. Again, the result sweeps you along in its current.

    It's not quite a perfect novel - the middle section is a bit choppy as Irving moves back and forth in time in the lives of both Dominic and Danny, but the beginning and last third are so good that you'll forgive any minor structural flaws. As a benefit, you'll also pick up a few Italian cooking recipes along the way and perhaps embark on a search for the perfect pizza.

    In my review of Abraham Verghese's Cutting for Stone: A novel, I stated that the protege had outwritten the master. With "Last Night in Twisted River", the master has come back strong.

    If novels like "The Fourth Hand" and "Until I Find You" put you off of Irving, come back for "Twisted River". You'll be glad you did.

  • Rating John Irving in Top Form  Aug 26, 2009 (101 of 116 found this helpful)

    True fans of John Irving will applaud this victory lap as the one-time wunderkind of contemporary literature comfortably enfolds himself in the mantle of elder statesman, having fun with his fans and critics along the way. Longtime Irving followers will enjoy seeing how he echoes past themes and trajectory of his own career in telling the story of Daniel Baciagalupo, aka Danny Angel, a novelist who scoffs at the media obsession with sorting the autobiographical elements of his fiction from that parts "that were `merely' made up." But yes, here's a fictional character who had much the same academic career as Irving (wrestling, prep school, university, Iowa Writer's Workshop, teaching venue), achieved bestsellerdom and prosperity with his fourth novel, tackled explosive political issues like abortion in his subsequent novels, got involved in movies, lived part-time in Canada, and so on. Part of the fun for fans is seeing how he departs from these familiar elements of his career and his fiction. The ominous "undertoad" from The World According to Garp is recast here as a blue Mustang automobile. The bears that figured so prominently in early Irving novels are waiting in the wings here, but left waiting as offstage characters only. Onstage, however, the key character of Injun Jane is cast in a scene that brought to mind one with Susie the Bear from The Hotel New Hampshire, although here the consequences kick the novel into high gear. The novel unfolds more deliberately than fans of earlier works may remember or prefer, dangling meaty morsels of plot but then diverting and eventually circling back later to fill in the blanks. The slower pace adds to the richness of the experience, though, and Irving's trademark vivid characters, earthy dialog, and baroque plot twists do not disappoint. And the book has a gorgeous structure, with an end that leads right back to the beginning. With Last Night in Twisted River, John Irving's work has mellowed and ripened from a major vintage to a classic one, something to be savored.

  • Rating Too Much of the Same  Oct 5, 2009 (63 of 76 found this helpful)

    Some John Irving books I have loved and immediately devoured, and others I haven't been able to get past page 50 on...so as much as I look forward to a new Irving novel, I'm never sure which type it will be. With "Last Night in Twisted River" I took a deep breath and dove in...and I made it half-way before I started skimming; it's just too much of the same old thing.

    The main characters are father and son, Dominic and Danny Baciagalupo, who begin in a logging camp (Dominic is the cook) and flee to Boston when "something bad happens". If you've read John Irving before, you know that the "something bads" that he details (and I mean DETAILS) are never run-of-the-mill accidents or incidents. His plot lines are full of freak-of-nature occurrences and amazing coincidences. Irving actually self-parodies in this novel regularly, as he described Danny's burgeoning writing career. As an example he (as the omniscient narrator) states: "...in any novel written with a reasonable amount of forethought, there were no coincidences." Again making fun of himself he writes: "...extreme details were mere indulgences the more mature writer would one day outgrow." Ha.

    Present here, as with all Irving novels, you have several thoroughly researched and detailed accounts of setting and industry, such as the descriptions of the logging process in the 1950s, the workings of a logging camp, pizza making....

    Also ever-present are some familiar Irving symbols such as the severed limbs, bears, older women sexually initiating boys too young, abortion, freak accidents, shallow women characters.

    As in many of Irving's novels, there are clear autobiographical comparisons between Irving himself and the character of Danny, such as Exeter Academy, avoiding conscription to Vietnam due to marriage and child, and Danny having Kurt Vonnegut as a mentor as Irving himself did. Best not to read TOO much as autobiographical, though, since Danny's novels are also deceptive in that way.

    Die hard Irving fans will not be disappointed, but I was looking for a little something different.

  • Rating Much more of a vintage Irving...  Oct 7, 2009 (8 of 8 found this helpful)

    I'm not sure why I like most of Irving's books so much. I'm not sure I would tolerate the same type of writing from someone I might not be as familiar with as I am with him. He can be a lot of work to read, momentary exposition, followed by chapters of stuff before you get back to where you want to be. He also likes to delve into his own universe or parallel universes as current characters walk a path familiar to the reader. It's like reading Stephen King where there are all these little "easter egg" references to his earlier stories. For whatever reason, I really enjoyed the journey this father and son took back and forth throughout the decades. Some wonderful characters that I'll remember for a long time. Some characters you tend to recognize that hope never to see again. His outlandish situations at times can seem all too real to life the older I get. As with most authors, I wouldn't recommend starting at the end, but if you've read and enjoyed most of his works this is certainly a worthy addition.

  • Rating John Irving's finest novel in years  Nov 3, 2009 (7 of 7 found this helpful)

    I may as well come out and say it: I love John Irving. My love is unconditional. I will defend his lesser novels against all defamers. Happily, I will not be put in that position anytime soon, because Last Night in Twisted River is his strongest novel in years. It's a wonderful read!

    I recently told a friend, "It's so good it hurts." Reflecting on what I had said, I realized I was right. Sometimes reading his books hurts. He populates his novels with sweet, sentimental, anxious men, and then he tortures them. Mr. Irving's signature blend of comedy and tragedy is again on display. Only in his world does an oft-repeated tale of whacking a bear on the nose with a frying pan lead to an accidental death.

    The novel opens in rural New Hampshire in 1954. Widower Domenic Baciagalupo is the cook at a logging camp, where he is assisted by his 12-year-old son, Danny. It's a rough and tumble world, personified by the gruff and rugged logger, Ketchem, who becomes the closest thing to family that either Baciagalupo has. Last Night in Twisted River is an epic novel, spanning some 50 years. The aforementioned accidental death is the novel's catalyst. It causes Domenic and Danny to go on the run, sought for decades by a vigilante sheriff. But aside from being the tale of this truncated family's life in exile, this is a story about how you become the person you are.

    Specifically, Mr. Irving is looking at how a writer becomes a writer, because that, indeed, is what Danny Baciagalupo becomes--a successful one, too. In fact, Danny Baciagalupo's career is... John Irving's career. There is no attempt to disguise the obviousness of the career trajectory, the subject matter of the books, the literary criticism--all are identical to Irving's. It seems clear that the author is having some fun with the self-referential material, but for fans like me, Irving gives us unusual insight into his process, and possibly some of his own attitudes on the life of a writer. Though, perhaps we can't assume that is so, as Danny has much to say about readers' assumptions about the autobiographical nature of fiction, and the value of what is borrowed versus what is imagined.

    In a recent review, I commented on the way that Pat Conroy returns again and again to certain themes and plot elements in his fiction, but "jumbles them up in new and interesting ways." Certainly this is true, too, of Mr. Irving. In this novel we again find bears, writers, absent parents, endangered children, New England settings, prep schools, and so forth. It's easy to compare different aspects of this latest novel to what has come before. A dash of Garp and a soupçon of Owen Meany. But right from the start, the work of which this reminded me the most is The Cider House Rules. Not in subject matter, but in the period setting and the span of the story being told. And probably in the nature of the male relationships in this novel.

    Last Night in Twisted River is a long, heart-wrenching story. You won't be racing through it. You may learn more about logging than you ever wanted to know. But Irving's language is magnificent and you won't soon forget these characters and their epic journey. This book is a must read for all fans of John Irving and of great literature.

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