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DEFINITIVE, INDEED! Nov 30, 2001 (12 of 13 found this helpful)
I am glad Mr. Ciment waited until Kubrick's oeuvre was completed before updating what is, indeed, the very last word on this very unique artist's films. Everything is here from the first edition which was out-of-print for quite awhile plus the films that were made after. With Stanley Kubrick's death we now have the very best study of the themes, techniques and recurring visions of a very singular artist. Anyone who wants to understand the evolution of Stanley Kubrick can disregard all the other flawed books out there and put this one on the shelf as a keeper. With detailed analysis and tons of pictures, any serious fan of his films will appreciate this as only the subtitle says it is - the definitive edition.
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Most precious visual book about Kubrick. Jan 1, 2001 (7 of 7 found this helpful)
I have this book. 5,6 years ago, I bought this at second hand book store. So book I have is second handed one, and Japanese special edition. As other reviewers say, it's very very great pity that this book is out of print now. I think some publisher had better make new edition title, added to a visualy wondeful film-Eyes Wide Shut!! If you have found it at bookstore and you are a Kubrician, you must take it, buy it, bring it your home, and enjoy these so many precious fotos or very important his interviews in this book. I have various books about Kubrick, but this Michel Ciment's Kubrick is the best book in published ones ever I think. Do your best for finding one!! All your efforts for this book would not be wasted, EVER!
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We were waiting Aug 19, 2003 (4 of 4 found this helpful)
This book has been held in high regard ever since it first appeared. Earlier editions were becoming collectible and were always disappearing from libraries.
I guess it was safe for a reappearance following the passing of Stanley Kubrick and the completion of his body of work. The book has been reworked beautifully, including all of the amazing color photos, essays, and interviews from before plus some new additions, namely chapters on Full Metal Jacket and Eyes Wide Shut chapters. There are additional interviews with various collaborators.
In short, in the wake of Kubrick books that sprouted up following the director's death in 1999, Ciment's Kubrick ranks right at the top. It's a gorgeous volume, and the interviews (done by Ciment following Clockwork Orange, Barry Lyndon, and The Shining) are some of the most enlightening words from the director.
Highly recommended for the Kubrick fan and the film buff. Also recommended is Thomas Allen Nelson's Kubrick: Inside a Film Artist's Maze.
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An excellent overview of entire Kubrick's career Jan 11, 2004 (6 of 7 found this helpful)
With Stanley Kubrick dead and his final film released, Michael Ciment had the opportunity to update his biography/analysis of the great director's career. Rather than rewrite the entire book, he's decided to update it with new interviews and an additional chapter or two on Eyes Wide Shut. (The previous edition was updated to include Full Metal Jacket.) He's also added a lot more photographs --- stills from the films and images of Kubrick at work. The photos of Kubrick working on EWS are particularly interesting.
Early in the book, after a short biographical chapter, Ciment goes through a list of common motifs in Kubrick's films. These include the use of masks, actors in dual roles, character playing games such as chess and cards within the film, circular set design, and a close shot of a main character's eye. Because this section was not updated to include Full Metal Jacket or Eyes Wide Shut, you can decide for yourself if these motifs were carried on in the those two films. (In my opinion, many of the motifs are not found in his last two films.)
This is followed by an essay on 'Kubrick and the Fantastic,' a dull and pretentious piece that doesn't add much. It leads to the best part of the book, the second half, in which Kubrick and his collaborators are interviewed. Kubrick responds to questions with answers that are full of information, but he's evasive when he describes his own films. Later on, the author explains why: Kubrick felt his movies should be self-explanatory (after multiple viewings) and didn't like the "What's this movie about?" question.
The interviews with actors, set designers, co-writers, and costume designers are very good. Everyone has the same reaction: Kubrick exasperated them as he demanded their best work . . . but they wouldn't trade that experience for anything in the world. It's a testament to Kubrick that he choose people who were not petty. (The only sour note is Frederick Raphael, the co-screenwriter for Eyes Wide Shut. He seems smart, but not in Kubrick's league.)
If you're a casual Kubrick fan, this book is a worthwhile introduction. The photos are very good and, as an overview, it's excellent. It is, however, pretentious at times in the analysis of the films. For the hardcore Kubrick fan who has read (or is planning to read) everything on the director, this book ranks third or fourth. Read Baxter's and Herr's books first.
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A feast for the Kubrick fanatic. Sep 12, 1998 (1 of 1 found this helpful)
A book that any Kubrick fan should certainly take a look at. It is filled with terrific photographs from all his films up to "The Shining". Like a lot of books of this type, some of the analysis gets a bit overheated. The last sections of the book are some very interesting interviews with Kubrick and members of his team, like lighting cameraman John Alcott. .