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A stunning masterpiece on every level Nov 10, 2002 (98 of 108 found this helpful)
CATCH-22 is masterful in so many ways. It begins as comic farce, proceeds to the increasingly surreal, and then transforms into a nightmarish tragedy before ending triumphantly. No novel that I know so successfully blends all these disparate moods. I believe it was Hugh Walpole who wrote, "Life is a comedy to those who think, and a tragedy to those who feel." No book illustrates that better than this novel. This truly is one of the funniest books I have ever read. It is also one of the most tragic.
CATCH-22 also introduces one of the most insane collection of great characters in fiction: Yossarian, the Chaplain, Orr, ex-P.F.C Wintergreen, Milo Minderbender, Maj. Major Major Major, Nately, Doc Daneeka, Danby, General Dreedle, Nately's girl (not the description in the book, but Amazon's software will bleep it), Cathcart, Nurse Duckett, The Texan, Major ----- de Coverley, The Soldier in White, and a host of other characters. It is one of the most gloriously populated novels of the past half century.
This is a novel I can almost not discuss except through superlatives: greatest war novel I have read, funniest novel I have ever read, greatest English language novel of the past 40 years. But the best thing is that it is, on top of being a superb book, an exceedingly fun book to read. Even at its nightmarish, this is a fun, delightful book. And few novels contain as many unforgetable moments as this one.
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One of the 100 best American novels Jul 3, 2002 (168 of 192 found this helpful)
We read "Catch-22" in our "alternative" high school back in the 60's. It was just as the Viet Nam War was rising to its shocking crest, people were rioting in the streets, the young were questioning everything and rebelling, the draft was taking older brothers and friends, and it was a very crazy time. We asked the teacher who selected the novel and who had served in World War II "Is this an accurate representation of the madness of war?" He replied that, in his experience, it was.
After recently re-reading Heller's novel, I realized that this book wasn't, as we had studied it, just about the madness of war. Sure, that was foremost on our minds at the time the book was published. But Heller really caught the moral dilemma of an individual caught up in the mob hysteria of war, where the rules of civilization and laws are temporarily and deliberately suspended by the authorities.
The key paragraph, for me, is: "Man was matter, that was Snowden's secret. Drop him out a window and he'll fall. Set fire to him and he'll burn. Bury him and he'll rot, like other kinds of garbage. That was Snowden's secret. Ripeness was all." In other words, Man is no more than meat and bone EXCEPT for a brief period when he is alive...and if he does something to preserve his soul. This is deep and perceptive.
At the end of "Catch-22", Yossarian is faced with a tempting choice. He has, however, learned something from the horrors and insanity. His decision takes into account not only his personal safety, but goes beyond to the greater good. He has risen.
For that reason, "Catch-22" is more than just an amusing novel, a bestseller and the novel that gave birth to M*A*SH*. Yossarian's moral dilemma is one each of us must ponder, whenever we choose to go to war. I think this is one of the best 100 American novels.
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"It proves you're still alive..." May 16, 2002 (32 of 36 found this helpful)
Catch-22 is not a book America wants to read, especially in her present state of patriotism. One cannot picture Heller's Yossarian sporting a "These Colors Don't Run" T-shirt and waving a flag. Indeed, the opening chapter explicitly refutes any interpretation that suggests Yossarian's actions are rooted in a deep sense of nationalism: an uber-patriotic Texan drives almost all the men out of a hospital ward and back into combat. Catch-22 is a book that challenges the logic of war. It combines wry humor with startlingly affecting anecdotes to force the reader into asking questions. It is the portrait of a man who is dangerously sane, but trapped in the insanity of war by catch-22.
When I started reading Joseph Heller's Catch-22, I had no idea what to expect. I scanned the buzzwords on the back cover..."apocalyptic, bitter, hilarious, monumental, original, subversive, classic." What I found was a moving satire, centered ..., an allegory who manages to retain his humanity. The fact that Heller's Yossarian was indeed so easy to relate to contributed to the book's power. The novel brings you deep into the world of war, as viewed by a soldier. Yossarian's experiences are not entirely realistic, and much of what happens over the course of the novel seems to make no sense at all. In presenting war in such a manner, Heller asks the reader whether the reality of war makes any more sense than does Yossarian's story. Heller says that war itself is a great catch-22, a paradoxical trap that humans walk into time and time again. He questions the logic of the illogical, and asks the reader to try and rationalize the irrational.
Catch-22 is significant because it claims that not only war is a catch-22. The metaphor extends to include life itself. We see that the characters are not merely fighting to survive the war...they are fighting to be immortal. Each has his own way, whether it be by enduring boredom to make time move slower, or by gaining global power through commerce and enterprise. They are all trying to cheat death. Heller's novel reveals many deep and often unpleasant truths, but it does it with humor and style. For this reason, Catch-22 has reached "classic" status and will probably remain a classic for generations to come.
As a book, Catch-22 is flawless. It is moving, witty, and ultimately one of the greatest novels I have ever read. It deserves every one of its five stars. However, to those who are interested in reading it, I warn you to take Heller's work with a grain of salt. Many may find the satire offensive in light of the current global situation. Please do not let current events get in your way. Catch-22 is a wonderful, eye-opening novel; but as with all "subversive" literature, it must be approached with an open mind.
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War is hilarious! Feb 26, 2001 (33 of 38 found this helpful)
To be honest with all you gentle readers, I don't much admire War novels, nor do I stand by the title of my review. Generally, I believe War is truly Hell.
But last Winter, in the grips of a bout of quasi-depression-for-teens following a move to the most FLAT province in Canada, I truly thought I was in Hell. An e-mail friend suggested Catch-22 to use up edgy cabin-fever time. Now, let it be known that my attention span for most novels dwindles quickly, especially if the book is slow to pick up. While significantly slower to get 'into' than most of the writing I chase, Catch-22 sucked me in, like Alice down the rabbit hole. It is sharply funny, engaging, and chock full of delightful characters. The main character is a thinker; a young man disheartened by war and his own mortality. His name is Yossarian, and since reading this novel, he has stood out in my mind as being one of the most...sculpted... characters in the history of literature.
Put simply, this book is a satire about World War 2. Coming from a kid sickened by the very idea of war, I can say that this book is worth whatever bills you have to fork over for it. It's not about war, per se, but more about the human condition. In addition, it made me laugh a few times, something that only a few other works of fiction have ever been successful in accomplishing. I finished this book feeling oddly... renewed. If you're looking for something 'new' (or, so old it's new) and engaging, I heartily recommend 'Catch-22' by Joseph Heller.
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Catching 22 Twice Jul 21, 2006 (25 of 28 found this helpful)
For so many of us growing up in the USA, our high school teachers assigned us Joseph Heller's "Catch-22" as required reading, and I was among those assignees. I'm not sure why the requirement, other than perhaps some Catch-22 type of logic that everyone else was assigning it, so there, must be great, must read. I don't particularly remember liking the novel then, perhaps with no more substantial of a reason than -- just not my style. Reading the novel now, in midlife, my opinion (or my literary style) has changed little, but today, I can attempt to add to "not my style" perhaps a few deeper insights.
In this second read, I realize what so fails to appeal to me is Heller's slapstick, absurdist, repetitive and dizzyingly circular style of storytelling. At the same time, I fully realize this is also the appeal of the novel for many: it's absurdity. Indeed, time has tested Heller's topic of war having little logic or reason in the real world, mostly born of individual and governmental insanity, power plays and mere whim, male ego clashing and chest thumping. Few wars seem to have good reason for happening when one considers all the other possibilities of resolution. While leaders sit safely in secure offices on fortressed hilltops, the common soldier takes all the risks, offers up his/her body for battering, endures indescribable torments in battle, and often gives the ultimate sacrifice of life. Shall we debate the virtues of boxing rings for political leaders instead? Yes, war is absurd. And Heller captures this "crazy-making" truth in a crazy-making novel in which characters dance to illogical commands, spin in frustration, and dig themselves in ever deeper as they try harder and harder to dig themselves out. You know... as in war.
So I slogged through the pages like a good soldier. Characters leapt forward and backward in time, one event led to no other event, resolution rarely made a showing, and the dance of insanity kept the main lead. Even as I slogged, I could not deny what an excellent reflection of warring reality Heller's writing proved to be. Kudos for that. Redeeming factor.
And then, somewhere towards the final pages, I was somewhat won over. Without losing his voice of absurdity, the author had Yossarian, key player, say lines so absurd they rang true to the core, e.g. "but we don't want what we want!" and I could only shake my head and echo, oh indeed. We don't. When offered a bounty of temptations to sell out his soul, Yossarian denied them all, and in his crazy way, spoke utter sanity. How common is it to want something desperately much of our lives, only to realize we don't want it at all when fantasy turns into reality? A gold star for the author. Other episodes of Yossarian struggling to keep a fellow soldier alive even as his guts spill out, the sheer horror and despair and helplessness of the situation, hit target. Bravo.
This, and Heller's commentaries on man being little more than meat, fodder for the brutalities of war, resounded with such painful truth that today's reader can only look up at current events and current disasters and realize -- we are living in a world ruled by absurdities even today. History has taught us nothing.
And so, I could be convinced that Heller's novel is a classic. Perhaps it is.