5 out of 5
by
Lstirl
from
Cornelius, OR | Oct 26, 2008
On an adventure to find a family, Bud charms and moves the reader with both his fortitude and wit.
Ages 9-12
This is a very moving and heartwarming book. The adventurous nature of the book will appeal to children, as will the optimistic and humorous protagonist, Bud. Along his journey to find a family, Bud meets many interesting and well-presented characters, such as the mouth organ playing man at "Hooverville," his friend, Bugs, and Miss Thomas. While the setting is bleak and sad, Bud remains funny and hopeful, popping up with bits of his "Rules and Things To Have a Funner Life and Make a Better Liar Out of You."
This book is richly layered with complex characters and numerous themes. A great book for children to begin to analyze literature with, as it is rich enough to contain many subject topics to discuss. However, it is not lacking in the 'fun' factor either. There are also lots of historical elements to open up discussions. This is a magical mix of education and entertainment. An all around winner. A well deserved award winner.
Publishers Weekly
As in his Newbery Honor-winning debut, The Watsons Go to Birmingham--1963, Curtis draws on a remarkable and disarming mix of comedy and pathos, this time to describe the travails and adventures of a 10-year-old African-American orphan in Depression-era Michigan. Bud is fed up with the cruel treatment he has received at various foster homes, and after being locked up for the night in a shed with a swarm of angry hornets, he decides to run away. His goal: to reach the man he--on the flimsiest of evidence--believes to be his father, jazz musician Herman E. Calloway. Relying on his own ingenuity and good luck, Bud makes it to Grand Rapids, where his "father" owns a club. Calloway, who is much older and grouchier than Bud imagined, is none too thrilled to meet a boy claiming to be his long-lost son. It is the other members of his band--Steady Eddie, Mr. Jimmy, Doug the Thug, Doo-Doo Bug Cross, Dirty Deed Breed and motherly Miss Thomas--who make Bud feel like he has finally arrived home. While the grim conditions of the times and the harshness of Bud's circumstances are authentically depicted, Curtis shines on them an aura of hope and optimism. And even when he sets up a daunting scenario, he makes readers laugh--for example, mopping floors for the rejecting Calloway, Bud pretends the mop is "that underwater boat in the book Momma read to me, Twenty Thousand Leaks Under the Sea." Bud's journey, punctuated by Dickensian twists in plot and enlivened by a host of memorable personalities, will keep readers engrossed from first page to last. Ages 9-12. (Sept.) Copyright 1999 Cahners Business Information.
Children's Literature
A great review that keys into the magic of the book. I agree and was "engrossed from the first page to last." I read this aloud to my 10 and 11 year old, and they would beg me to keep reading. This is in indicator of a sure winner. It also had us talking about issues like the depression, being an orphan, being African American and other topics introduced in this book.
It has really been hard for Bud since his Mama died--one foster home after another. When he runs away from a family that really mistreats him, all he knows is that his long lost father must be the famed jazz musician Herman E. Calloway. Otherwise, why would his Mama have kept the posters? Good luck and friendly folk help Bud reach Mr. Calloway, but his supposed daddy is none too welcoming. The band members and vocalist are just the opposite. Bud is a spunky and likable kid, and this book has a fairy tale ending--it all works out for Bud and readers are left with a truly warm and happy feeling. However, the hard times during the Depression and especially the difficulties faced by African Americans are not ignored. A fast read for individual readers and a great book to read aloud.
I really like the tone of this review. It is light and incites the reader to read more.
School Library Journal
Gr 4-7-When 10-year-old Bud Caldwell runs away from his new foster home, he realizes he has nowhere to go but to search for the father he has never known: a legendary jazz musician advertised on some old posters his deceased mother had kept. A friendly stranger picks him up on the road in the middle of the night and deposits him in Grand Rapids, MI, with Herman E. Calloway and his jazz band, but the man Bud was convinced was his father turns out to be old, cold, and cantankerous. Luckily, the band members are more welcoming; they take him in, put him to work, and begin to teach him to play an instrument. In a Victorian ending, Bud uses the rocks he has treasured from his childhood to prove his surprising relationship with Mr. Calloway. The lively humor contrasts with the grim details of the Depression-era setting and the particular difficulties faced by African Americans at that time. Bud is a plucky, engaging protagonist. Other characters are exaggerations: the good ones (the librarian and Pullman car porter who help him on his journey and the band members who embrace him) are totally open and supportive, while the villainous foster family finds particularly imaginative ways to torture their charge. However, readers will be so caught up in the adventure that they won't mind. Curtis has given a fresh, new look to a traditional orphan-finds-a-home story that would be a crackerjack read-aloud.-Kathleen Isaacs, Edmund Burke School, Washington, DC Copyright 1999 Cahners Business Information.
A little to much plot description here, without keying into what makes this a great book. I feel that the reviewer liked the book, however, I'm left wondering what was so great.
1 people found this review helpful
3 out of 5
by
Rebecca
from
Oakland, CA | Jun 10, 2008
This was no The Watsons Go to Birmingham. Just a little too predictable. But it's powerfully told, and Curtis has the rare ability to get inside the head of his young narrators. Especially smart, sassy, sensitive little boys... Bud is definitely a winner.
Audiobook minuses:
While younger readers might find them really funny, these two things drove me CRazy. Especially trapped in the car wishing my eyes could glaze over a line or two.
1)The slang seemed vaguely era-appropriate (see Rebecca's Fictional Pet Peeve #10) but was super overused, and not really cute the first time - "woop, zoop, sloop." This was slightly redeemed by slipping "dollars to donuts" in there a few times.
2) I started to cringe every time he launched into another of the "Bud Caldwell Rules and Things for Having a Funner Life and Making a Better Liar Out of Yourself." (Characters who make precocious lists? That's Rebecca's Fictional Pet Peeve #29)
Audiobook plusses:
1) It's read by James Avery, aka Uncle Phil from Fresh Prince!
2)Author's note read by author. Y'all know if there's anything I like better than historical fiction, it's the real history lesson at the end. Curtis talks about how he modeled the two important male influences in the book on his two grandfathers, who both managed to be successful black businessmen in Michigan during the depression.
AND his little daughter sings her own composition featured in one of the scenes... I knew it was too awesome for an adult to come up with!
Mommy says no
Mommy says no
I listen you don't
Wha-ha-ha-ha
The building falls down
The building falls down
You get crushed I don't
Wha-ha-ha-ha
1 people found this review helpful