A Long Way Gone

Customer Reviews

• Difficult but worthwhile  Feb 26, 2007 (188 of 203 found this helpful)

  While I did find this book painful to read, I am very glad I stayed with it. Ishmael tells his story in casual language, almost as if he were sitting next to you, sharing his experiences over (many cups of) tea.
  
  He relays his life to us chronologically, beginning in his home village. He and some friends took a several day trip to a neighboring village to show off their hip-hop skills at a talent show. Little did they know, that little trip probably saved their lives. For while they were away, the rebel army attacked their home village.
  
  From there, we follow Ishmael and his friends as they try to find their families (all had had to flee the village, literally running for their lives) struggling to meet the barest of necessities. It is a long, dangerous road they walk, and they suffer countless difficulties as they try to find somewhere safe to stay. A tunnel with no light. You really feel the desperation, the loneliness and despair that descended upon this poor little boy. Much of the book is about this time of wandering, going hungry, being ill-met by other villages who suspect these young, homeless friends of being a wandering squad of rebel child-soldiers. They are met with suspicion at best, hostility at worst.
  
  It is actually understandable when Ishmael is manipulated into fighting with the government army. He is finally in a village that feels safe, he is eating, there are soldiers protecting the village, that is until the rebels surround the village, leaving no path for escape. All males (even 6 or 8 year olds) must fight for their lives, or die.
  
  It begins as such, fighting for the "good side," the ones who did not kill his family, and fighting to defend himself. But, as this brief portion of the book tells us, he quickly descended into the much darker side of warfare, where the good and bad guys are not so easily discerned. When did he cross the line and become someone who kills some other little boy's family? It is so painful, so sad.
  
  But Ishmael does not delve too deeply into the emotions behind his motivations and reactions. Nor does he tell us much about how he has come to reconcile with himself. He tells us some, and maybe this is my psych degree, but I want to know more, I hope he is able to go deeper within himself. I don't need to read about it, but I hope he can because I want him to truly be alright now. You will, too, because no feeling human can read this book and not find themselves truly caring about this young man.
  
  And now I think of the other children still out there, still being coerced into fighting the wars of horrible adult men. I want to help them, which is, I imagine, part of Ishmael's hope.
  
  Don't wait for the cheaper paperback, this is a book to read now - you will want to talk to people about it. Prepare to be stirred.

• Astonishinly introspective and honest!  Feb 20, 2007 (80 of 86 found this helpful)

  This is an extraordinary memoir by a young man who has lived and seen the worst of humanity and managed to survive and become a better man for all the tragedy, violence, horror and degradation he was forced to witness as a 12 year old boy. I can see this as required reading in high schools across the country. It is not only that good, it is that important. The writing is honest, straight forward, painfully introspective but never self pitying. Truly an amazing story, and a history lesson we all need be reminded of now and again.

• I admire his resilience  Feb 16, 2007 (29 of 29 found this helpful)

  A Long Way Gone was a remarkable book. The narration is divided into three parts--before the war, being a soldier, and learning to become human again. The LL Cool J and Run DMC references surprised me because it showed just how far-reaching music (and media) can be. Sadly, the opposite is not true: little media attention was (is) given to the plight of child soldiers around the world. I hope this book will start the conversation.
  
  I was struck, and almost disturbed, by the matter-of-fact tone Beah used to describe the atrocities he committed, but his overall linguistic elegance made the descriptions of his travels and the reflections on his life uplifting by the end. How he was able to "rehabilitate" himself after living that surreal life demonstrates his strong sense of self. The book ends somewhat suddenly, but then, Beah's life story is still unfolding at age 26. This is a stark, but beautiful, narrative.

• A story that needed to be told  Feb 23, 2007 (21 of 21 found this helpful)

  You might not be able to read this book if you didn't know it had a hopeful ending. The violence is unstaged, described in a matter-of-fact way that gives it a haunting quality; wounds bleed, women scream, babies are burned in their cribs, grown men are shot after being tortured. And it is violence perpetrated in many cases by boys, young teenagers who in their own culture are usually not considered old enough to date or wise enough to make tough decisions.
  
  Ishmael Beah was born in Sierra Leone and grew up in a time of relative stability, before open rebellion began. One day he and his close buddies went to a nearby town to enter a music contest. They'd been listening to rap, imitating the poetic lyrics and the dance moves. They had a couple of home-recorded cassette tapes. While they were away, rebels swept into their home village, killing many inhabitants and forcing the rest to flee. Everyone disappeared from Ishmael's home in a few short hours, and he was never again to see most members of his close family. With no preparation, he was cut off from the life he had known and forced, with his companions, to begin a long period of constant flight, near-starvation and terror.
  
  The boys knew that their time was limited. The rebels were recruiting boys to fight, raping the young girls and enslaving the elders. They were stealing all usable items and all food, burning the villages as they left. The army was likewise recruiting boys, after men were slain by rebel forces. Boys so young as to be barely able to carry a weapon were given AK-47s and told to avenge their family's deaths. They were drugged with marijuana and cocaine until their minds were as ragged as their clothes, and sent out to kill.
  
  After living from day to harrowing day, Ishmael was forced to join the army. He not only shot many boys and men on the enemy side, but prided himself on being able to cut throats quickly and efficiently as part of a contest staged by the army officers. Such exercises toughened the children and inured them to the evils they were both witnessing and perpetrating every day.
  
  By chance, Ishmael was among a group of boys who were taken out of the army ranks and rehabilitated, slowly, by UN and other workers who kept telling their orphan charges, "What you did was not your fault." It took many months for Ishmael to understand and begin to believe this. At first he fought cynically and sometimes savagely against his benign captors, initially in the throes of drug withdrawal and then gripped by insane rage and a sense of powerlessness. At least as a soldier Ishmael had been esteemed a man and given responsibility. It was hard to become a boy again, to obey the kindly orphanage staff. It was harder to believe that his life had meaning or that there might be reason to hope for future happiness.
  
  After a long series of reunions and a fortuitous visit to the UN in New York, Ishmael was adopted by an American aid worker and given the chance to finish high school and college. He now serves as a member of various committees and councils and speaks eloquently for the need to stop conscripting children as killers wherever such outrages occur. His talent as a lyricist grew into a talent for storytelling. A LONG WAY GONE is a story that needed to be told.
  
  --- Reviewed by Barbara Bamberger Scott

• Riveting, Heartbreaking, Horrifying, Inspiring  Feb 17, 2007 (21 of 21 found this helpful)

  There are, according to UNICEF, over 300,000 children employed as soldiers in various wars around the world. Ishmael Beah, author of this simple but eloquent memoir, was one of them. His powerful and disturbing book shows the full range of humankind's capacity for good and evil.
  
  His direct and unadorned language, and the contrast he draws between his happy childhood and the hellish nightmare of a savage civil war in which he was compelled to commit atrocities, make his narrative truly spellbinding. His account is also a testament to the revivifying power of love, which he found after UNICEF workers saved and helped rehabilitate him.
  
  My only criticism is that this book ends too abruptly, with him leaving Sierra Leone for Guinea. From the book jacket, it is clear that Ishmael Beah accomplished much with his life since leaving Africa. I would like to have read more about his life in the United States. I hope he writes again.
  
  This account of a child at war is sad enough to break your heart, but it is inspiring to know that Ishmael has survived. I hope someday no children will have to fight in wars. Better yet, I hope someday no adults will either.