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Looking in: Robert Frank's the Americans
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Looking in

Robert Frank's the Americans

by Sarah Greenough , Robert Frank , Stuart Alexander

Hardcover
Hardcover
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      CONDITION SELLER PRICE SHIPPING PURCHASE
      Used Very Good(1 Copy): Very Good in Very Good dust jacket Minor shelf wear. Pages clean, binding solid.; 11.70 X 9.60 X 2.20 inche; 506 pages.
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      Samkat Books
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      Used Very Good(2 Copies): Very Good 3865218067 COLLEGE TEXTBOOK-WE DO NOT SHIP TO AK OR HI-Title may or may not include access codes, cds, or supplemental materials. If you have any specific needs please contact us through the appropriate marketplace. We ship all orders within 24 business hours.
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      Used Very Good(1 Copy): Very Good 9783865218063 Very Good. (Binding: Hardcover, Jacket: Good) Bottom edge slightly smudged. Dustjacket has light smudging all.
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      Moe's Books
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      Used Good(1 Copy): Good 3865218067 Used book, in good condition |No supplements | Normal wear to cover and spine | Page markings | Inventory sticker present | Satisfaction guaranteed!
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      Crashing Rocks Bookstore
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      Used Good(1 Copy): Good 3865218067.
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      Found Books
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      New: New in fine dust jacket. Includes original bellyband. Never read. Ship in sturdy box with bubble wrap. Sewn binding. Cloth over boards. With dust jacket. 506 p. Contains: Illustrations. Audience: General/trade.
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      New: New First published in France in 1958, then in the United States in 1959, Robert Frank's The Americans changed the course of twentieth-century photography. In 83 photographs, Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians and rendered numb by a rapidly expanding culture of consumption. Yet he also found novel areas of beauty in simple, overlooked corners of American life. And it was not just his subject matter--cars, jukeboxes and even the road itself--that redefined the icons of America; it was also his seemingly intuitive, immediate, off-kilter style, as well as his method of brilliantly linking his photographs together thematically, conceptually, formally and linguistically, that made The Americans so innovative. More of an ode or a poem than a literal document, the book is as powerful and provocative today as it was 50 years ago. Published to accompany a major exhibition at the National Gallery of Art, the San Francisco Museum of Modern Art and the Metropolitan Museum of Art, Looking In: Robert Frank's The Americans celebrates the fiftieth anniversary of this prescient book. Drawing on newly examined archival sources, it provides a fascinating in-depth examination of the making of the photographs and the book's construction, using vintage contact sheets, work prints and letters that literally chart Frank's journey around the country on a Guggenheim grant in 1955-1956. Curator and editor Sarah Greenough and her colleagues also explore the roots of The Americans in Frank's earlier books, which are abundantly illustrated here, and in books by photographers Walker Evans, Bill Brandt and others. The 83 original photographs from The Americans are presented in sequence in as near vintage prints as possible. The catalogue concludes with an examination of Frank's later reinterpretations and deconstructions of The Americans, bringing full circle the history of this resounding entry in the annals of photography. This richly illustrated expanded edition of Looking In: Robert Frank's The Americans contains several engaging essays by curator Sarah Greenough that explore the roots of this seminal book, Frank's travels on a Guggenheim fellowship, the sequencing of The Americans and the book's impact on his later career. In addition, essays by Anne Wilkes Tucker, Stuart Alexander, Martin Gasser, Jeff L. Rosenheim, Michel Frizot and Luc Sante offer focused analyses of Frank's relationship with Louis Faurer, Edward Steichen, Gotthard Schuh, Walker Evans, Robert Delpire and Jack Kerouac, while Philip Brookman writes about his work with Frank on several exhibitions in the last 30 years. This edition also reproduces many of Frank's earlier photographic sequences, as well as all of the photographs in The Americans and selected later works. In addition, Looking In: Robert Frank's The Americans-Expanded Edition includes a wealth of additional materials, essential information for all interested in twentieth-century photography. It contains all of Frank's vintage contact sheets related to The Americans, a section that re-creates his preliminary sequence and presents variant croppings of the first and subsequent editions of the book and a map and chronology, along with letters and manuscript materials by Frank, Walker Evans and Jack Kerouac related to Frank's Guggenheim fellowship, his travels around the United States in 1955-1956, and his construction of the book. This groundbreaking 528-page catalogue is certain to be the definitive source of information on The Americans for years to come.
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      Hennessey + Ingalls
      CA, USA

      $78.95
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      New: New First published in France in 1958, then in the United States in 1959, Robert Frank's The Americans changed the course of twentieth-century photography. In 83 photographs, Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians and rendered numb by a rapidly expanding culture of consumption. Yet he also found novel areas of beauty in simple, overlooked corners of American life. And it was not just his subject matter--cars, jukeboxes and even the road itself--that redefined the icons of America; it was also his seemingly intuitive, immediate, off-kilter style, as well as his method of brilliantly linking his photographs together thematically, conceptually, formally and linguistically, that made The Americans so innovative. More of an ode or a poem than a literal document, the book is as powerful and provocative today as it was 50 years ago. Published to accompany a major exhibition at the National Gallery of Art, the San Francisco Museum of Modern Art and the Metropolitan Museum of Art, Looking In: Robert Frank's The Americans celebrates the fiftieth anniversary of this prescient book. Drawing on newly examined archival sources, it provides a fascinating in-depth examination of the making of the photographs and the book's construction, using vintage contact sheets, work prints and letters that literally chart Frank's journey around the country on a Guggenheim grant in 1955-1956. Curator and editor Sarah Greenough and her colleagues also explore the roots of The Americans in Frank's earlier books, which are abundantly illustrated here, and in books by photographers Walker Evans, Bill Brandt and others. The 83 original photographs from The Americans are presented in sequence in as near vintage prints as possible. The catalogue concludes with an examination of Frank's later reinterpretations and deconstructions of The Americans, bringing full circle the history of this resounding entry in the annals of photography. This richly illustrated expanded edition of Looking In: Robert Frank's The Americans contains several engaging essays by curator Sarah Greenough that explore the roots of this seminal book, Frank's travels on a Guggenheim fellowship, the sequencing of The Americans and the book's impact on his later career. In addition, essays by Anne Wilkes Tucker, Stuart Alexander, Martin Gasser, Jeff L. Rosenheim, Michel Frizot and Luc Sante offer focused analyses of Frank's relationship with Louis Faurer, Edward Steichen, Gotthard Schuh, Walker Evans, Robert Delpire and Jack Kerouac, while Philip Brookman writes about his work with Frank on several exhibitions in the last 30 years. This edition also reproduces many of Frank's earlier photographic sequences, as well as all of the photographs in The Americans and selected later works. In addition, Looking In: Robert Frank's The Americans-Expanded Edition includes a wealth of additional materials, essential information for all interested in twentieth-century photography. It contains all of Frank's vintage contact sheets related to The Americans, a section that re-creates his preliminary sequence and presents variant croppings of the first and subsequent editions of the book and a map and chronology, along with letters and manuscript materials by Frank, Walker Evans and Jack Kerouac related to Frank's Guggenheim fellowship, his travels around the United States in 1955-1956, and his construction of the book. This groundbreaking 528-page catalogue is certain to be the definitive source of information on The Americans for years to come.
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      Hennessey + Ingalls
      CA, USA

      $78.95
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      New: New
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      Powell's Books
      OR, USA

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      About the Book

      In 83 photographs, Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians and rendered numb by a rapidly expanding culture of consumption.

      Product Details

      • Media: Hardcover Book, 506 pages
      • Language: English
      • Publisher: Steidl Publishing
      • Edition: Unknown
      • ISBN-10: 3865218067
      • Publication Date: Feb. 9th, 2009
      • ISBN-13: 9783865218063
      • Dimensions: 9.50 x 11.70 x 2.20 inches
      • Shipping Weight: 7.25 lbs
      • Categories: General Photography Collections

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